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Vision Anew
  • Language: en
  • Pages: 308

Vision Anew

  • Categories: Art

Vision anew brings together texts by practitioners, critics, and scholars to explore the evolving nature of the lens-based arts. Presenting essays on photography and the moving image alongside interviews with artists and filmmakers, Vision anew offers an assessment of the medium's ongoing importance in the digital era

Words Without Pictures
  • Language: en

Words Without Pictures

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

Words Without Pictures was originally conceived of by curator Charlotte Cotton as a means of creating spaces for thoughtful and urgent discourse around current issues in photography. Every month for a year, beginning in November 2007, an artist, educator, critic, art historian, or curator was invited to contribute a short, un-illustrated, and opinionated essay about an aspect of photography that, in his or her view, was either emerging or in the process of being rephrased. Each piece was available on the Words Without Pictures website for one month and was accompanied by a discussion forum focused on its specific topic. Over the course of its month-long life, each essay received both invited...

The Permeable Self
  • Language: en
  • Pages: 385

The Permeable Self

How, Barbara Newman asks, did the myth of the separable heart take such a firm hold in the Middle Ages, from lovers exchanging hearts with one another to mystics exchanging hearts with Jesus? What special traits gave both saints and demoniacs their ability to read minds? Why were mothers who died in childbirth buried in unconsecrated ground? Each of these phenomena, as diverse as they are, offers evidence for a distinctive medieval idea of the person in sharp contrast to that of the modern "subject" of "individual." Starting from the premise that the medieval self was more permeable than its modern counterpart, Newman explores the ways in which the self's porous boundaries admitted openness ...

Catalog of Copyright Entries. Third Series
  • Language: en
  • Pages: 1040
U. S. Army Register
  • Language: en
  • Pages: 1786

U. S. Army Register

  • Type: Book
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  • Published: 1952
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  • Publisher: Unknown

None

The Alcalde
  • Language: en
  • Pages: 44

The Alcalde

  • Type: Magazine
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  • Published: 1968-09
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  • Publisher: Unknown

As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."

Fighting for the Confederacy
  • Language: en
  • Pages: 702

Fighting for the Confederacy

Originally published by UNC Press in 1989, Fighting for the Confederacy is one of the richest personal accounts in all of the vast literature on the Civil War. Alexander was involved in nearly all of the great battles of the East, from First Manass

On the Make
  • Language: en
  • Pages: 295

On the Make

David Grazian’s riveting tour of downtown Philadelphia and its newly bustling nightlife scene reveals the city as an urban playground where everyone dabbles in games of chance and perpetrates elaborate cons. Entertainment in the city has evolved into a professional industry replete with set designers, stage directors, and method actors whose dazzling illusions tempt even the shrewdest of customers. As entertaining and illuminating as the confessional stories it recounts, On the Make is a fascinating exposé of the smoke and mirrors employed in the city at night.

Annual Report of the Missionary Society of the Methodist Episcopal Church
  • Language: en
  • Pages: 302
The Dynamiters
  • Language: en
  • Pages: 341

The Dynamiters

A transnational history of the first urban bombing campaign, when Irish nationalists targeted symbolic British public buildings in the 1880s.