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The left-field arts journal whose very name promises more to come delivers three issues this season. There arent too many places to find intelligent, passionate, and semi-serious writing about the past, present, and future of visual culture and beyond. Dot Dot Dot, the brilliant journal edited by Stuart Bailey and Peter Bilak, is one of the few we've found. Issues 12 and 13 of this acclaimed graphic design journal are united by a thematic preoccupation with issues of distribution and dispersion. Exploring a variety of themes, including networks, schools, libraries, and the U.S. Postal Service, issue 12 collects pieces on and around these subjects, while issue 13 demonstrates them and doubles...
When a well-respected professor at a top university is falsely accused of being abusive to students, how will he pick up the pieces and rebuild his life? “I should’ve slept in. Because I can. Because I have nothing to do. But I can’t. I wake up because I don’t have a reason to be. I wake up in search of a reason. If that’s possible. What, after all, is there now in all the wreckage before me? Not much. No history of cancer on either side of the family. So likely three decades or so left before I can rest for good. Unless I get hit by a Mack Truck. Or keel over from a heart attack. Or, hey, an aneurism. Heard one of those babies might have afflicted an ancestor on my mother’s side...
Words Without Pictures was originally conceived of by curator Charlotte Cotton as a means of creating spaces for thoughtful and urgent discourse around current issues in photography. Every month for a year, beginning in November 2007, an artist, educator, critic, art historian, or curator was invited to contribute a short, un-illustrated, and opinionated essay about an aspect of photography that, in his or her view, was either emerging or in the process of being rephrased. Each piece was available on the Words Without Pictures website for one month and was accompanied by a discussion forum focused on its specific topic. Over the course of its month-long life, each essay received both invited...
Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.
Issues for 1860, 1866-67, 1869, 1872 include directories of Covington and Newport, Kentucky.
"For centuries, poets and philosophers have written about the power of music, often suggesting that music is the essence of life itself, that music lives within us, that we are music. Scientists have dismissed these writings as flights of poetic fancy, or perhaps metaphor or artistic license. They have considered music to be a product of culture, and that's the way musicians have studied music as well. But have poets and philosophers perhaps had a better sense of the true nature of music? Have they been right all along in suggesting that music is life itself?"--
Your lack of focus on Procurement is limiting your profits. Multiply them by making Procurement a company-wide priority. Profit from Procurement: Add 30% to Your Bottom Line by Breaking Down Silos delivers an insightful, compelling, and fresh take on a subject that typically comprises 50% of a business's total costs: Procurement. Alex Klein, Simon Whatson and Jose Oliveira, leaders at the world's largest dedicated Procurement consultancy, highlight the limitations of the traditional, functionally siloed approach to Procurement, and demonstrate how significant EBITDA gains can be made by lifting Procurement out of the back office and enabling it to fundamentally reset a company's cost base. I...
Since the 1970s Barbara Kasten has developed her expansive practice of photography through the lens of many different disciplines, including sculpture, painting, theater, textile, and installation. Spanning her nearly five-decade engagement with abstraction, light, and architectonic form, this major survey publication situates Kasten's practice within current conversations around sculpture and photography.Barbara Kasten (born 1936, Chicago) trained as a painter and textile artist, receiving her MFA from the California College of Arts and Crafts (CCAC) in Oakland in 1970. There she studied with pioneering fiber artist Trude Guermonprez, a former teacher at Black Mountain College and an associ...