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Alexander Andreyevich Ivanov (1806 - 1858) was a Russian painter who adhered to the waning tradition of Neoclassicism but found little sympathy with his contemporaries. He was born and died in St. Petersburg.Ivanov studied together with Karl Briullov at the Imperial Academy of Arts under his father, Andrey Ivanovich Ivanov. He spent most of his life in Rome where he befriended Gogol and was influenced by the Nazarenes. He has been called the master of one work, for it took 20 years to complete his magnum opus, The Appearance of Christ Before the People (1837-57), now in the Tretyakov Gallery at Moscow.Critical judgement about Ivanov improved in the following generation. Some of the numerous sketches he had prepared for The Appearance have been recognized as masterpieces in their own right. The most comprehensive collection of his works can be viewed at the Russian Museum in St. Petersburg.
Harold Pinter's Politics examines the expression of Pinter's political beliefs across every aspect and era of his artistic career. The fierce political stances of this important dramatist have been embodied in plays, screenplays, and his career as a theatrical director. Traditionally associated with absurdism, minimalism, and the dramatization of uncertainty, Pinter's name is now a byword for anti-authoritarian and anti-American politics. This transition has been in evidence from the earliest phases of his writing; all of Pinter's work emerges from his political views. His uniqueness as a political artist is that he is pessimistic about changing his audience or making it see its complicity in the horrors of the modern world. These horrors are dramatized through images of torture and oppression culminating in moments of silence that index the full extent of the destruction unleashed by the forces of power against dissidence.
Antisemitism has had a long and complex history in Russian intellectual life and has revived in the post-Communist era. In their concept of the identity of the Jewish people, many academics and other thinkers in Russia continue to cast Jews in a negative or ambivalent role. An inherent rivalry exists between "Russia" and "the Jews" because Russians have often viewed themselves-whether through the lens of atheistic communism or that of the most conservative elements of the Orthodox Church-as a chosen people whose destiny is to lead the way to world salvation. In this book, Vadim Rossman presents the foundations and present influence of intellectual antisemitism in Russia. He examines the anti...
The third edition of this textbook comprehensively discusses global supply chain and operations management (SCOM), combining value creation networks and interacting processes. It focuses on operational roles within networks and presents the quantitative and organizational methods needed to plan and control the material, information, and financial flows in supply chains. Each chapter begins with an introductory case study, while numerous examples from various industries and services help to illustrate the key concepts. The book explains how to design operations and supply networks and how to incorporate suppliers and customers. It examines how to balance supply and demand, a core aspect of ta...
The Mathieu Groups are presented in the context of finite geometry and the theory of group amalgams.
The ideas of the Protestant Reformation, followed by the European Enlightenment, had a profound and long-lasting impact on Russia’s church and society in the eighteenth century. Though the traditional Orthodox Church was often assumed to have been hostile toward outside influence, Andrey V. Ivanov’s study argues that the institution in fact embraced many Western ideas, thereby undergoing what some observers called a religious revolution. Embedded with lively portrayals of historical actors and vivid descriptions of political details, A Spiritual Revolution is the first large-scale effort to fully identify exactly how Western progressive thought influenced the Russian Church. These new ideas played a foundational role in the emergence of the country as a modernizing empire and the rise of the Church hierarchy as a forward-looking agency of institutional and societal change. Ivanov addresses this important debate in the scholarship on European history, firmly placing Orthodoxy within the much wider European and global continuum of religious change.
This book is the first biography of Nikolay Punin (1888-1953). One of the most prominent art-critics of the avant-garde, in 1919 Punin was the Commissar of the Hermitage and Russian Museums, he was lecturing at the Academy of Arts and at the State University in Petrograd (and subsequently Leningrad). He was the right hand of Lunacharsky and the head of the Petrograd branch of the Visual Arts Department of Narkompross. From 1913 till 1938, Punin worked at the Russian Museum and organized several major exhibitions of Russian art. Yet his name is not widely known in the West, primarily because his file languished in the KGB archives since he died in 1953, partly because his grave in the Gulag w...
A rigorous construction and uniqueness proof for the Monster group, detailing its relation to Majorana involutions.