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Alexander Apóstol
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Alexander Apóstol
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Alexander Apóstol: PHotoBolsillo
Apóstol portrays the construction of identity and gender in Venezuela Part of La Fábrica's PHotoBolsillo series on (primarily) Latin American and Spanish photographers, this affordable introduction to Venezuelan photographer and artist Alexander Apóstol (born 1969) tracks his career as he dismantles constructions of masculinity, identity and gender in Venezuela.
Alexander Apóstol
From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apostol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and curators Julieta Gonzalez and Cuauhtemoc Medina, various aspects of his oeuvre are analyzed alongside the context in which it arose. Whether from the perspective of architecture, art history or a political analysis of contemporary Venezuela, each author contributes to a comprehensive study of Alexander Apostol's production.
Art as experience of the living body / L’art comme experience du corps vivant
This book analyses the dynamic relationship between art and subjective consciousness, following a phenomenological, pragmatist and enactive approach. It brings out a new approach to the role of the body in art, not as a speculative object or symbolic material but as the living source of the imaginary. It contains theoretical contributions and case studies taken from various artistic practices (visual art, theatre, literature and music), Western and Eastern, the latter concerning China, India and Japan. These contributions allow us to nourish the debate on embodied cognition and aesthetics, using theory–philosophy, art history, neuroscience–and the authors’ personal experience as artist...
Turns of the Global, The
When we talk about the geographical, ecological, ethnographic, historical, documentary, and cosmopolitan “turns” in relation to the work of practitioners of contempory art, what exactly do we mean? Are we talking about a “reading strategy”? About an interpretive model, as would be derived from the linguistic turn of the 1970s, or rather about a stratigraphic structure that could be read across multiple cultural practices? Do we wish to read one system by means of another system, in a way that one nurtures the other so that it can open us up to other forms of being? Or is it rather about a generative movement in which a new horizon emerges in the process, leaving behind the practice t...
Aesthetics
Bence Nanay introduces aesthetics, a branch of philosophy that explores the nature of art, beauty, and taste. Looking beyond traditional artistic experiences, he defends the topic from accusations of elitism, and shows how more everyday experiences such as the pleasure in a soft fabric or falling leaves can become the subject of aesthetics.
Latin America at the End of Politics
After decades of ideological struggle, much of it in the service of an elusive socialist ideal, Latin America has embraced liberalism--democracy and unfettered markets. But liberalism has triumphed more by default than through exuberance. The region's democracies are fragile and lethargic. Despite pronounced social inequality, widespread poverty, and other difficulties, the populace is not engaged in deep discussions about state and society. The end of ideological contests has dampened political conflict, but likewise lessened the sense of urgency for solving trenchant problems. Political fatigue and devotion to acquisition have smothered egalitarianism as even an ideal. There is an uneasy s...
