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This exciting new edition includes a selection of the most significant and representative published articles and chapters about Alexander and covers all the main areas of debate and discussion in Alexander scholarship.
Alexander the Great: A New History combines traditional scholarship with contemporary research to offer an innovative treatment of one of history's most famous figures. Written by leading experts in the field Looks at a wide range of diverse topics including Alexander's religious views, his entourage during his campaign East, his sexuality, the influence of his legacy, and his representations in art and cinema Discusses Alexander's influence, from his impact on his contemporaries to his portrayals in recent Hollywood films A highly informed and enjoyable resource for students and interested general readers
Has any ancient figure captivated the imagination of people over the centuries so much as Alexander the Great? In less than a decade he created an empire stretching across much of the Near East as far as India, which led to Greek culture becoming dominant in much of this region for a millennium. Here, an international team of experts clearly explains the life and career of one of the most significant figures in world history. They introduce key themes of his campaign as well as describing aspects of his court and government and exploring the very different natures of his engagements with the various peoples he encountered and their responses to him. The reader is also introduced to the key sources, including the more important fragmentary historians, especially Ptolemy, Aristobulus and Clitarchus, with their different perspectives. The book closes by considering how Alexander's image was manipulated in antiquity itself.
Upon his return from India, Alexander the Great travelled to the Persian royal city of Pasargadae to pay homage at the tomb of King Cyrus, founder of the Achaemenid Persian Empire, whom he admired greatly. Disgusted to find Cyrus’ tomb desecrated and looted, the Macedonian king had the tomb guards tortured, the Persian provincial governor executed and the tomb refurbished. This episode involving Cyrus’ tomb serves as one of many case studies in Alexander’s relationship with Persia. At times Alexander would behave pragmatically, sparing his defeated enemies and adopting Persian customs. Sisygambis, the mother of Persian King Darius III, allegedly came to view Alexander as a son and starved herself at the news of his demise. On other occasions he did not shy away from destruction (famously torching the palace at Persepolis) and cruelty, earning himself the nickname ‘the accursed’. This conflicting nature gives Alexander a complex legacy in the Persian world. Joseph Stiles explores Alexander the Great’s fascinating relationship with his ‘spear-won’ empire, disentangling the motives and influences behind his policies and actions as ‘King of Asia’.
This is an analysis of the diverse facets of Alexander the Great’s image from the Renaissance era through the Baroque into the nineteenth century. Perceived as the first sovereign ruler of the world, for centuries Alexander became an exemplar for the most ambitious kings and emperors. This cultural phenomenon flourished above all in the Renaissance while extending into the nineteenth century. Early modern monarchs’ identification with Alexander associated them with ideas of kingly wisdom. Yet this admiration waned on occasions. Napoleon was Alexander of Macedonia’s most ardent critic. During the nineteenth century, the Macedonian hero was viewed as an individual who won control of the Achaemenid empire, but also underwent a progressive moral decline that converted him into a tyrant. The book will be of interest to scholars working in art history and iconography.
This book was created when John Watson McCrindle lived and worked in India as a schoolteacher. His interest in the state poured into years-long research of the ancient Greek and Latin text, where he collected the mentions of India. For this research, he collected materials from the works by Arrian, Q. Curtius, Diodoros, Plutarch, and Justin. The book follows Alexander's invasion in India, with all the great leader's campaigns on his way, including his invasion in Afghanistan, the Panjâb, Sindh, Gedrosia, and Karmania.
This volume explores the images of Alexander the Great from the fifteenth and sixteenth centuries, how they came about, and why they were so popular. In contrast to the numerous studies on the historical and legendary figure of Alexander, surprisingly few studies have examined, in one volume, the visual representation of the Macedonian king in frescoes, oil paintings, engravings, manuscripts, medals, sculpture, and tapestries during the Renaissance. The book covers a broad geographical area and includes transalpine perspectives. Ingrid Alexander-Skipnes examines the role that humanists played in disseminating the stories about Alexander and explores why Alexander was so popular during the Renaissance. Alexander-Skipnes offers cultural, political, and social perspectives on the Macedonian king and shows how Renaissance artists and patrons viewed Alexander the Great. The book will be of interest to scholars working in art history, Renaissance studies, ancient Greek history, and classics.
Hellenistic courts were centres of monarchic power, social prestige and high culture in the kingdoms that emerged after the death of Alexander. They were places of refinement, learning and luxury, and also of corruption, rivalry and murder. Surrounded by courtiers of varying loyalty, Hellenistic royal families played roles in a theatre of spectacle and ceremony. Architecture, art, ritual and scholarship were deployed to defend the existence of their dynasties. The present volume, from a team of international experts, examines royal methods and ideologies. It treats the courts of the Ptolemies, Seleucids, Attalids, Antigonids and of lesser dynasties. It also explores the influence, on Greek-speaking courts, of non- Greek culture, of Achaemenid and other Near Eastern royal institutions. It studies the careers of courtesans, concubines and 'friends' of royalty, and the intellectual, ceremonial, and artistic world of the Greek monarchies. The work demonstrates the complexity and motivations of Hellenistic royal civilisation, of courts which governed the transmission of Greek culture to the wider Mediterranean world - and to later ages.
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