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Soviet Adventures in the Land of the Capitalists
Unique account of how ordinary people shaped Soviet-American relations in the 1930s told through the adventures of two Russian humourists.
Hearings
None
Americans in Conversation with Tolstoy
Throughout his life, Leo Tolstoy demonstrated a fascination for Americans, a feeling that was avidly reciprocated in the United States. Although Tolstoy was never able to come to America, during his lifetime he was visited at his home in Russia by a number of Americans including writers, journalists, ambassadors, professors and tourists. Many wrote about the conversations they had with the great Russian novelist. This volume gathers together 30 recollections of such conversations, all originally published in periodicals from 1887 through 1923. A brief introduction to each piece introduces the author of the narrative with concise biographical information, and a bibliographical note indicates the time and place of original publication.
Catalog of Copyright Entries. New Series
Part 1, Books, Group 1, v. 21 : Nos. 1 - 135 (Issued March, 1924 - April, 1925)
Kino
Documents the evolutionary development of the nation's cinema and its film artists, focusing on the period between 1896 and the death of Eisenstein in 1948.
Making No Compromise
Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literatu...
Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965)
Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965) is a study of a-physiognomic descriptions of the face. It demonstrates that writers such as George Eliot, Leo Tolstoy, Edgar Allan Poe, Nicolay Gogol, Virginia Woolf and Witold Gombrowicz vigorously resisted the belief that facial features reflect character. While other studies tend to focus on descriptions which affirm physiognomy, this book examines portraits which question popular face-reading systems and contravene their common premise – the surface-depth principle. Such portraits reveal that physiognomic formula is a cultural construct, invented to abridge, organise and regulate legibility of the human face. Most importantly, strange and ‘unreadable’ fictional faces frequently expose the connection between physiognomic judgement and stereotyping, prejudice and racism.
The Image of Christ in Russian Literature
Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study underst...
