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The Collector's Voice
The Collector’s Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin
The Nature of Classical Collecting
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- List of Figures -- List of Plates -- Abbreviations -- General Preface to the Series -- Preface -- Introduction -- 1 Reading Ancient Texts: methodological approaches to interpretation and appropriation -- Part I: Notions of Collecting in the Ancient World -- 2 Collecting Material Testimonies: antiquarianism and notions of the past -- 3 'Gifts-to-Men and Gifts-to-Gods': defining (collecting) values -- 4 The Concept of the Individual as a Cultural Category: its implications in classical collecting -- 5 Collecting in Time and Space in the Classical World -- Part II: Classical Collectors and Collections -- 6 Visiting Pliny's Collection: reading a 'museum' -- 7 Poet's Gifts, Collector's Words: the epigrams of Martial -- 8 'Luxury is Not for Everybody': collecting as a means of sharing cultural and social identity -- 9 'Furnishing' the Collector's World: Cicero's Epistulae and the Verrine Orations -- Conclusions -- Bibliography -- Index
A New Testament
A NEW TESTAMENT offers a recast economic, legal, and social history of the strangely neglected, enduring and power-laden relationship between a Scandinavian Transatlantic mission and the Santals, Boro and Bengalis of East India, Northern Bangladesh, and Eastern Nepal. Bleie's kaleidoscopic portraits transport readers back to the medieval period and Danish and British Company Rule. The British Raj and the early post-Independence period remain her principal framing, however. This customized text enables readers to navigate and selectively immerse themselves in theoretical and descriptive chapters brimming with immersive storytelling. The volume is relevant for university curricula in international history, Scandinavian and Norwegian transnational history, Santal ethnohistory, the history of religion, the sociology of religion, mission history, intercultural history of Christianity, museum studies, subaltern and postcolonial studies, comparative international law, peace and development studies, social anthropology, history of aid, tribal studies, women's studies, and the study of indigenous oral and textual history.
Global Mobilities
Global Mobilities illustrates the significant engagement of museums and archives with populations that have experienced forced or willing migration: emigrants, exiles, refugees, asylum seekers, and others. The volume explores the role of public institutions in the politics of integration and cultural diversity, analyzing their efforts to further the inclusion of racial and ethnic minority populations. Emphasizing the importance of cross-cultural knowledge and exchange, global case studies examine the conflicts inherent in such efforts, considering key issues such as whether to focus on origins or destinations, as well as whether assimilation, integration, or an entirely new model would be the most effective approach. This collection provides an insight into diverse perspectives, not only of museum practitioners and scholars, but also the voices of artists, visitors, undocumented immigrants, and other members of source communities. Global Mobilities is an often provocative and thought-inspiring resource which offers a comprehensive overview of the field for those interested in understanding its complexities.
Does War Belong in Museums?
Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?
Theory and Practice in Heritage and Sustainability
This book explores cultural sustainability and its relationships to heritage from a wide interdisciplinary perspective. By examining the interactions between people and communities in the places where they live it exemplifies the diverse ways in which a people-centred heritage builds identities and supports individual and collective memories. It encourages a view of heritage as a process that contributes through cultural sustainability to human well-being and socially- and culturally-sensitive policy. With theoretically-informed case studies from leading researchers, the book addresses both concepts and practice, in a range of places and contexts including landscape, townscape, museums, indu...
Workshop Proceedings of the 9th International Conference on Intelligent Environments
Intelligent Environments (IE) play an increasingly important role in many areas of our lives, including education, healthcare and the domestic environment. The term refers to physical spaces incorporating pervasive computing technology used to achieve specific goals for the user, the environment or both. This book presents the proceedings of the workshops of the 9th International Conference on Intelligent Environments (IE ‘13), held in Athens, Greece, in July 2013. The workshops which were presented in the context of this conference range from regular lectures to practical sessions. They provide a forum for scientists, researchers and engineers from both industry and academia to engage in ...
Contested Antiquity
While the archaeological legacies of Greece and Cyprus are often considered to represent some of the highest values of Western civilization—democracy, progress, aesthetic harmony, and rationalism—this much adored and heavily touristed heritage can quickly become the stage for clashes over identity and memory. In Contested Antiquity, Esther Solomon curates explorations of how those who safeguard cultural heritage are confronted with the best ways to represent this heritage responsibly. How should visitors be introduced to an ancient Byzantine fortification that still holds the grim reminders of the cruel prison it was used as until the 1980s? How can foreign archaeological institutes engage with another nation's heritage in a meaningful way? What role do locals have in determining what is sacred, and can this sense of the sacred extend beyond buildings to the surrounding land? Together, the essays featured in Contested Antiquity offer fresh insights into the ways ancient heritage is negotiated for modern times.
When the Cemetery Becomes Political
The title of this book ‘When the Cemetery Becomes Political’ implies the question: How can the cemetery – a place for the dead – become a space that develops a political dynamic? Scholars from different countries explored such dynamics further in three conferences – one held in Münster/Germany (2017) and the other two in Nicosia/Cyprus (2018/2019). Ten of the papers presented at these conferences are compiled in this volume. They investigate how religious heritage is dealt with in multi-ethnic/religious countries like Bosnia-Herzegovina, Cyprus and Lebanon; one of the papers focuses on the fate of Thessaloniki’s huge Jewish cemetery destructed during the German occupation of Gre...
Narrating Objects, Collecting Stories
This collection of essays explores the stories that can be told by and about objects and those who choose to collect them. Examining collecting in different historical, social and institutional contexts, the authors consider the meanings and values with which objects are imputed and the processes and implications of collecting.
