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A pathbreaking work for the next stage of the #MeToo movement, showing how we can address sexual harms with fairness to both victims and the accused, and exposing the sexism that shapes today's contentious debates about due process Over the past few years, a remarkable number of sexual harassment victims have come forward with their stories, demanding consequences for their assailants and broad societal change. Each prominent allegation, however, has also set off a wave of questions – some posed in good faith, some distinctly not – about the rights of the accused. The national conversation has grown polarized, inflamed by a public narrative that wrongly presents feminism and fair process...
"As victims of sexual harassment increasingly come forward to tell their stories, each prominent case sets off debates about the rights of the accused. The national conversation has grown polarized, inflamed by a narrative that wrongly presents feminism and fair process as warring interests. Sexual Justice is an intervention, pointing the way to common ground. Drawing on the core principles of civil rights law and personal experiences of victims and the accused, Alexandra Brodsky shows how schools, workplaces, and other institutions can — indeed, must — address sexual harassment in ways fair to all. And she explains how to resist the anti-feminist backlash that hijacks the rhetoric of due process to protect male impunity."-- Back cover.
This “incredible addition to the feminist canon” brings together the most inspiring, creative, and courageous voices concerning modern women’s issues (Jessica Valenti, editor of Yes Means Yes). In this groundbreaking collection, more than fifty cutting-edge feminist writers—including Melissa Harris-Perry, Janet Mock, Sheila Heti, and Mia McKenzie—invite us to imagine a world of freedom and equality in which: An abortion provider reinvents birth control . . . The economy values domestic work . . . A teenage rock band dreams up a new way to make music . . . The Constitution is re-written with women’s rights at the fore . . . The standard for good sex is raised with a woman’s pleasure in mind . . . The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a given, “offering playful, earnest, challenging, and hopeful versions of our collective future in the form of creative nonfiction, fiction, visual art, poetry, and more” (Library Journal).
From 1978 to 1993, the renowned Soviet "paper architects" Alexander Brodsky and Ilya Utkin created an incredible collection of elaborate etchings depicting outlandish, often impossible, buildings and cityscapes. Funny, cerebral, and deeply human, their obsessively detailed work layers elements borrowed from Egyptian tombs, Ledoux's visionary architecture, Le Corbusier's urban master plans, and other historical precedents in etchings of breathtaking complexity and beauty. Back by popular demand following the sold-out original 1991 edition and 2003 reprint, Brodsky & Utkin presents the sum of the architects' collaborative prints and adds new material, including an updated preface by the artists' gallery representative, Ron Feldman, a new introductory essay by architect Aleksandr Mergold, visual documentation of the duo's installation work, and rare personal photographs.
The author is a direct descendant of the prominent Kiev Brodskys, whose wealth derived from the sugar industry at a time when Ukraine formed part of Russia. This family's lavish benefactions - hospitals, educational institutions and a bacteriological institute - mainly to Kiev, Odessa and Zlatopol, gave them a certain power and influence. Alexandra Brodsky has drawn on family archives and Russian-language publications to sketch her ancestors' life of affluence before the Russian Revolution. Her personal account begins in pre-war Berlin among the Russian emigre community and childhood memories of bewildering situations and poverty. The humourless atmosphere is further darkened by the rise of the Nazis and Hitler. By the time she is in High School, the need to emigrate has become acute and the tension builds as expulsion looms. The reader shares these anxieties through the eyes of a child who has learned to watch in silence.
For most English-speaking readers, Russian literature consists of a small number of individual writers - nineteenth-century masters such as Dostoevsky, Tolstoy and Turgenev - or a few well-known works - Chekhov's plays, Brodsky's poems, and perhaps Master and Margarita and Doctor Zhivago from the twentieth century. The medieval period, as well as the brilliant tradition of Russian lyric poetry from the eighteenth century to the present, are almost completely terra incognita, as are the complex prose experiments of Nikolai Gogol, Nikolai Leskov, Andrei Belyi, and Andrei Platonov. Furthermore, those writers who have made an impact are generally known outside of the contexts in which they wrote...
A comprehensive, up-to-date introduction to the psychology of musical development in children and adults, from theory to research and applications.
MANHATTAN. Selene finds the body of a young woman on the banks of the Hudson river, mutilated and wearing a wreath of laurel. She feels a rage not felt in a lifetime, and an obligation: the promise that she made long ago. To protect those who are innocent -who cannot protect themselves. MURDERS. With the NYPD out of their depth, Selene must hunt the killer on her own. But when classics professor Theo Schultz offers his expertise to solve the case, the solitary huntress finds herself working with a man who's her opposite in every way. GODS. Together, they discover that a long-forgotten cult is behind the string of murders terrorizing the city. They'll need help from the one source Selene distrusts most of all: the city's other Immortals.
The most sophisticated and complete work to date of punk and metal artist Alexander Heir.
History of the struggle leading up to #MeToo and beyond: from the first tales of workplace harassment percolating to the surface in the 1970s, to the Clinton/Lewinsky scandal, when liberal women largely forgave Clinton, giving men a free pass for two decades. Many liberals even resisted the movement to end rape on campus.