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A biography of Alexandre Dumas covering his life from boyhood through his death.Originally published for the centenary of Dumas' birth in 1902 with a detailed bibliography and index. "There is no question here of introducing an unknown man or discovering an unrecognized genius: Dumas is the property of all the world," Arthur F. Davidson.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Mes Memoires are written characteristically de omnibus rebus et quibusdam aliis. They are, however, primarily a biography of Dumas himself, and of himself especially as a man of letters: they are also a record of the literary life of the time ; and they are, finally, a gallery of portraits sketched, a storehouse of anecdotes related, with that inimitable skill and humour which makes Dumas the prince of all raconteurs----" the best possible story-teller in print." One or other of these considerations will explain most of the selections here given. At the same time, it would be impossible to apply the principle rigorously in every case. Thus, though there is no reason in the nature of things for the insertion of so much of Dumas' account of his father as is included in these pages, it would be quite unpardonable to omit altogether as graphic and thrilling a story as can be found anywhere in the range of the author's writings.
Excerpt from Alexandre Dumas: Pere; His Life and Works It may be - to be exact, it is - a somewhat presumptuous thing to write a book and call it Alexandre Dumas. There is no question here of introducing an unknown man or discovering an unrecognized genius. Dumas is, and has been for the better part of a century, the property of all the world: there can be little new to say about one of whom so much has already been said. Remembering also, as I do, a dictum by one of our best known men of letters to the effect that the adequate biographer of Dumas neither is nor is likely to be, I accept the saying at this moment with all the unfeigned humility which experience entitles me to claim. My own b...
These memoirs provide an intimate look into the life of one of the most celebrated writers of the 19th century, Alexandre Dumas père. They cover his childhood, his early career as a playwright, his travels, his love affairs, and his literary triumphs. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY 2013 ‘Completely absorbing’ Amanda Foreman 'Enthralling’ Guardian ‘The Three Musketeers! The Count of Monte Cristo! The stories of course are fiction. But here a prize-winning author shows us that the inspiration for the swashbuckling stories was, in fact, Dumas’s own father, Alex - the son of a marquis and a black slave... He achieved a giddy ascent from private in the Dragoons to the rank of general; an outsider who had grown up among slaves, he was all for Liberty and Equality. Alex Dumas was the stuff of legend’ Daily Mail So how did such this extraordinary man get erased by history? Why are there no statues of ‘Monsieur Humanity’ as his troops called him? The Black Count uncovers what happened and the role Napoleon played in Dumas’s downfall. By walking the same ground as Dumas - from Haiti to the Pyramids, Paris to the prison cell at Taranto – Reiss, like the novelist before him, triumphantly resurrects this forgotten hero. ‘Entrances from first to last. Dumas the novelist would be proud’ Independent ‘Brilliant’ Glasgow Herald