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Destiné aux élèves de classes préparatoires économiques et commerciales, cet ouvrage a pour vocation de devenir le compagnon du cours de culture générale tout au long de l’année. Regroupant des auteurs clefs sur le thème du programme ainsi que des exemples précis, il cherche à mettre en valeur les éléments essentiels des différentes doctrines tout en facilitant leur utilisation au sein d’une dissertation. Dans cette perspective, chaque article est encadré par d’utiles suppléments qui visent à faciliter son appropriation mais aussi son utilisation : Un résumé analytique pour saisir l’essentielUne notion clef mise en perspectiveUne analyse de texteUn mode d’emploi pour intégrer au mieux la référence au sein de votre réflexion Conformément aux ambitions de la discipline, l’ouvrage ne se limite donc pas à une succession de doctrines philosophiques mais enrichit l’analyse en l’ouvrant aux champs littéraire et cinématographique.
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First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
WARNING: This book is not just dark - it's horrific, depraved and disturbing. If you do not enjoy books containing blood, guts, taboo and more - this book is not for you. Death would have been simple. I don't have that option anymore. In order to survive him, I must be what he craves. *The SNUFF sequel will be published in two parts. This is part one, and part two will be releasing Fall 2016.
Click Consonants is an indispensable volume for those who want to understand the linguistics of clicks. Contributions include cutting edge research on the phonetic and phonological characteristics of clicks, as well as on sound changes involving clicks, and clicks in perception, in L2 acquisition, and in apraxia of speech. Contributors are Wm. G. Bennett, Catherine T. Best, Hilde Gunnink, Dan Dediu, E.D. Elderkin, Anne-Maria Fehn, Sean Fulop, Florian Lionnet, Timothy K. Mathes, Kirk Miller, Scott Moisik, Michael Proctor, Bonny Sands, Signal Analysis and Interpretation Laboratory (SAIL) members (Adam Lammert, Asterios Toutios, Shrikanth Narayanan, Yinghua Zhu), Mollie Steyn, Anita van der Merwe, Richard Wright.