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Alexi Worth
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Giorgio Morandi: Late Paintings
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these imme...
Jasper Johns: Recent Paintings and Works on Paper
Catalog for the exhibition "Jasper Johns: 'Something Resembling Truth'" at Royal Academy of Arts, London, 23 September-10 December 2017, and The Broad, Los Angeles, 10 February-13 May 2018.
Jim Nutt
Favoring fantastical invention, biting wit, and distorted figuration, with roots in mid-20th-century pop culture, Jim Nutt creates wildly original work ranging from paintings on Plexiglas to phantasmagoric portraits of imaginary women. Nutt (b. 1938) first exerted his artistic influence in the 1960s as a member of Hairy Who, a group of artists who, along with other Chicago artists of the era, are more commonly referred to as the imagists. Since 1990 he has focused exclusively on rendering female heads with radically distorted features in spare line drawings and richly detailed paintings accompanied by customized frames. Working with tiny brushes and thinned acrylic paint, Nutt often spends a...
Roof Life
A celebrated art historian who has spent a lifetime looking at art writes about looking as a way of being in the world This is not a memoir. It does not take the form of a story. It is instead a kind of self-portrait, or perhaps several self-portraits. Svetlana Alpers had been keeping files: records of what she saw out the windows of her loft in New York; records of art sold, bought, or seen on her walls; records of foods found in markets and prepared in places where she lived; and records of herself seen in photographs, drawings, and paintings made by others. In solving the question of her father's place and date of birth, she reconstructs the life of her Russian grandfather in a distant an...
Comic Art in Museums
Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journa...
Varieties of Presence
The world shows up for us—it is present in our thought and perception. But, as Alva Noë contends in his latest exploration of the problem of consciousness, it doesn’t show up for free. The world is not simply available; it is achieved rather than given. As with a painting in a gallery, the world has no meaning—no presence to be experienced—apart from our able engagement with it. We must show up, too, and bring along what knowledge and skills we’ve cultivated. This means that education, skills acquisition, and technology can expand the world’s availability to us and transform our consciousness. Although deeply philosophical, Varieties of Presence is nurtured by collaboration with...
Drawing Now
Published to accompany the exhibition held at the Museum of Modern Art QNS, New York, 17 October 2002 - 6 January 2003.
Bending Concepts
Art Criticism. An anthology of the Held Essays on Visual Art, published in the Brooklyn Rail from 2011 to 2017. Featuring essays by Walter Benn Michaels, Claire Bishop, Talib Agape Fuegoverde, David Levi Strauss, Simon Critchley, T.J. Demos, Ariella Azoulay, Judith Rodenbeck, Katy Siegel, Martha Schwendener, Alva Noë, Blake Gopnik, David Geers, Alexander Nagel, David Robbins, Siona Wilson, Luis Camnitzer, Michael O'Hare, Alexander Dumbadze, Terry Smith, Alexi Worth, Gaby Collins-Fernandez, Katie Anania, Marika Takanishi Knowles, Sheila Heti, and Karen Archey, with an introduction by editors Jonathan T.D. Neil and Alexander Nagel and a preface by Daniel Belasco, Executive Director of the Al Held Foundation.
The Vexations of Art
Now available in paperback A major art historian reflects on a great tradition of European painting. "The Vexations of Art is an engrossing, passionate attempt to re-engage with painting as a mode of thought at a time when 'it is not clear in what form the resource of painting?for surely painting has been a singular resource of the greater European culture?will continue."?Jackie Wullschlager, Financial Times "[A] fascinating book that will surely generate discussion for some time to come."?Mindy Nancarrow, Renaissance Quarterly
