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The Fictional World of Javier Marías offers a fresh perspective on the narrative universe of one of Spain’s most distinguished contemporary authors. In order to establish the origin and meaning of uncertainty in his fiction, this book presents interpretations of a range of issues inherent to Marías’s canon, in particular those related to the nature of language. With the relationship between language and uncertainty at its heart, this study considers the use of foreign languages, translation, and the effect of silence through an analysis of: Todas las almas (1989), Corazón tan blanco (1992), Mañana en la batalla piensa en mí (1994) and Tu rostro mañana (2002-2007).
The Op-Ed Novel follows a clutch of globally renowned Spanish novelists who swept into the political sphere via the pages of El País. Their literary sensibility transformed opinion journalism, and their weekly columns changed their novels, which became venues for speculative historical claims, partisan political projects, and intellectual argument.
Javier Marías has explained many times that working as a translator of literary works from English into Spanish helped shape him as a writer. This study explores those claims by analysing two things: firstly, his translations themselves; and secondly, seeing how those translations have left discernible traces in his own fiction.
A detailed and lively discussion and analysis of the novels, short stories, newspaper columns, and other works of one of the most important and popular writers in Spain today. This book provides the most comprehensive study to date of the full range of Marías' writing, including discussion and analysis of his literary and intellectual formation, his development as a novelist and short story writer, andhis unique perspective offered in nearly twenty-five years of newspaper columns on topics ranging from religion to football. Above all, Marías is examined as a writer of fictions. As a translator of several canonical works from English to Spanish, Marías came to appreciate the preciseness of...
'Reading Veering generates the intense joy of veering. An exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "e;veering"e; is salient. On this basis he creates new theories of literature and of creative writing's place in criticism. Royle's best book yet.'J. Hillis Miller, Distinguished Research Professor of Comparative Literature and English, University of California, Irvine'Nicholas Royle is one of the most interesting, inventive, and provocative thinkers of literary language currently writing in English, and he has done something truly extraordinary here. By allowing a theory of literature to emerge right from the trace...
Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States.
Narratives Unsettled argues by way of close readings of three very different German-language writers that only if we conceive of narrativity unburdened by plot can we properly account for radical forms of digression.
Indice: Daniel LINK: Literatura de compromiso. - Jose AMICOLA: La incertidumbre de lo real: la narrativa de los 90 en la Argentina en la confluencia de las cuestiones de genero. - Julio PREMAT: Saer fin de siglo y el concepto de lugar. - Margarita REMON RAILLARD: La narrativa de Cesar Aira: una sorpresa continua e ininterrumpida. - Carmen de MORA: El cuento argentino en los anos 90. - Ana PORRUA: Lo nuevo en la Argentina: poesia de los 90. - Genevieve FABRY: Continuidades y discontinuidades en la poesia de Juan Gelman: una glosa de Incompletamente. - Jorge DUBATTI: Teatro argentino y destotalizacion: el canon de la multiplicidad."
The Spanish Golden Age novelist Miguel de Cervantes has long cast a shadow over the writers who have followed in his wake. This book explores the great novelist's influence on contemporary Spanish writers. The links between the Golden Age tradition and contemporary writing are examined by leading academics in the field of the Spanish contemporary novel. The collection focuses on aspects of literary technique and metafiction, particularly the role of the narrator, the mixing of fictional and real characters, and self-reflection and literary criticism within the novel. These are all techniques that have recognisable Cervantine traits. Other parallels with Cervantes's writing are explored such as the portrayal of a hero with quixotic characteristics and the imitation of specific episodes from Cervantes's works.
This book examines Charles Dickens's fiction alongside publications emanating from Parliament. It argues that Dickens and Parliament were engaged in competitive efforts to represent the People at a crucial moment in the history of representative democracy--when the British government was under enormous political pressure to expand the franchise beyond a narrow band of male landowners. Contending that fiction and the literature of Parliament interacted at a host of levels--jostling one another in the same bookshops--it reads Dickens's novels in tandem with blue books, the practice texts of shorthand manuals, and Dickens's journalism. It shows how his fiction mocks parliamentary form (as in Pickwick Papers), canvasses the history of parliamentary representation (as in Bleak House), and depicts the relation of the People to the state as well as commerce (as in Little Dorrit). It thus rethinks the history of the Victorian novel by examining its rivalry with Parliament in the expanding world of print publication.