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This introductory work proposes a fresh take on the ancient Indian concept dharma. By unfolding how, even in its developments as "law" and custom, dharma participates in nuanced and multifarious understandings of the term that play out in India’s great spiritual traditions, the book offers insights into the innovative character of both Hindu and Buddhist usages of the concept. Alf Hiltebeitel, in an original approach to early Buddhist usages, explores how the Buddhist canon brought out different meanings of dharma. This is followed by an exposition of the hypothesis that most, if not all, of the Hindu law books flowered after the third-century BC emperor Asoka, a Buddhist, made dharma the ...
The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. In Rethinking the Mahabharata, Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a wide range of literary and narrative theory, Hiltebeitel draws on historical and comparative research in an attempt to discern the spirit and techniques behind the epic's composition. He focuses on the education of Yudhisthira, also known as the Dharma King, and shows how the relationship of this figure to others-especially his author-gra...
This book is a study of India's great epic, the Mahabharata, against the background of Indo-European myth, epic and ritual. It builds upon the pioneering studies in these areas by Georges Dumezil and Stig Wikander to work toward the goal of understanding how this epic's Indo-European heritage is interpreted and reshaped within the setting of bhakti or devotional Hinduism. The book begins with a comparative typology of traditional classical epics, arguing that epic is a distinctive mythical genre, and that the Mahrib/grata in particular should be studied as part of an Indo-European epic (and not just mythical) continuum. The reshaping of Indo-European themes is then examined in relation to th...
Throughout India and Southeast Asia, ancient classical epics—the Mahabharata and the Ramayana—continue to exert considerable cultural influence. Rethinking India's Oral and Classical Epics offers an unprecedented exploration into South Asia's regional epic traditions. Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the Sanskrit epics. Drawing on literary theory and cultural studies, he reveals the shared subtexts of the Draupadi cult Mahabharata and the five oral epics, and shows how the traditional plots are twisted a...
American and Indian scholars of religion, anthropology, women's studies, and psychology look at the complex relationship between the living worship of female divinities and women in India. In keeping with the multiplicity, especially of Hinduism but also Buddhism and Jainism, the anthology presents a number of sometimes conflicting views rather than a consistent account. Only authors are indexed. c. Book News Inc.
This is the first volume of a projected three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit Mahabharata, takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.
Between 300 BCE and 200 CE, concepts and practices of dharma attained literary prominence throughout India. Both Buddhist and Brahmanical authors sought to clarify and classify their central concerns, and dharma proved a means of thinking through and articulating those concerns. Alf Hiltebeitel shows the different ways in which dharma was interpreted during that formative period: from the grand cosmic chronometries of kalpas and yugas to narratives about divine plans, gendered nuances of genealogical time, royal biography (even autobiography, in the case of the emperor Asoka), and guidelines for daily life, including meditation. He reveals the vital role dharma has played across political, r...
This is the first volume of a projected three-volume work on the little known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual and dramatic forms. It focuses on the Draupadi cult's own double mythology, moving from its storieis about Draupadi's 'primal temple' near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahabharata war on the North Indian plain of Kuruksetra. Throughout, Hiltebeitel intertwines 'regional' data, gathered from both oral and written sources, with the 'epic', drawn from the cult's own performative traditions as well as from classical versions of the ...
An interdisciplinary exploration of the meanings of hair in Asia from classical times to contemporary contexts.
"This is the first book in over a thousand years to approach the Mahābhārata and the Harivaṃśa via rasa theory. It argues that both texts put adbhutarasa, the "mood of wonder," to work as their dominant rasa, in a way that takes readers from their heroes' rollicking adventures to the text's profoundest moments. Two Kashmiris, Ānandavardhana (9th century) and Abhinavagupta (10th century), launched such inquiry, claiming that the Mahābhārata's dominant rasa was śāntarasa, the "mood of peace." Both worked the Harivaṃśa as a related text into their argument, which emphasized peace along with dispassion and the quest for liberation. Although they used some textual highjinks to make t...