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Illuminating and challenging, 'Alfred Brendel on Music' provides an insight into the exceptional mind of a great pianist.
'This book distils what, at my advanced age, I feel able to say about music, musicians, and matters of my pianistic profession.' Ever since Alfred Brendel bid farewell to the concert stage after six decades of performing, he has been passing on his insight and experience in the form of lectures, readings and master-classes. This reader for lovers of the piano distils his musical and linguistic eloquence and vast knowledge, and will prove invaluable to anyone with an interest in the technique, history and repertoire of the piano. Erudite, witty, enlightening and deeply personal, A Pianist's A to Z is the ideal book for all piano lovers, musicians and music aficionados: rarely has the instrument been described in such an entertaining and intelligent fashion.
The title of this collection of essays refers to a tailor's mannequin that Alfred Brendel spotted in a shop window in Arezzo, a small Tuscan town. Who is this strange lady? What is she looking at? And why is she carrying an egg on her head? The mannequin now graces a room in the attic of Brendel's house in Hampstead. Her features convey great artistic seriousness in combination with absurd comedy: the epitome of his own musical and literary preferences. And so, in his delightful new collection, great masters of nonsense meet great masters of music.
Alfred Brendel, one of the greatest pianists of our time, is renowned for his masterly interpretations of Haydn, Mozart, Beethoven, Schubert and Liszt, and has been credited with rescuing from oblivion the piano music of Schubert's last years. Far from having merely one string to his bow, however, Brendel is also one of the world's most remarkable writers on music - possessed of the rare ability to bring the clarity and originality of expression that characterised his performances to the printed page. The definitive collection of his award-winning writings and essays, Music, Sense and Nonsense combines all of his work originally published in his two classic books, Musical Thoughts and Aftert...
"In a series of dialogues with Martin Meyer, Brendel speaks about his life, the development of his career, his music-making, his travels, his poems and essays; about his childhood in Zagreb, adolescence in Graz, and experiences as a young man in Vienna ("I was in Vienna, but I was never a 'genuine' Viennese"); about literature, painting, architecture, and kitsch.".
This deceptively slight volume is proof that not only good but excellent things often come in small packages. A master of the piano, Alfred Brendel here turns in a deft performance as poet, building fantastic little "word machines" of extraordinary tensile strength. We are drawn immediately into a fun-house world of suspicious but wondrous goings-on: The supernumerary index finger of the pianist in the title poem, we're told, sometimes pointed out "an obstinate cougher in the hall/or emerged from beneath his tailcoat/beckoning a lady in the third row." Elsewhere, Beethoven, disguised as Salieri, poisons a sleeping Mozart and skulks away clutching, forever, Mozart's greatest possession--the key of C minor. And the conceptual artist Christo wraps the Three Tenors on the balcony of La Scala. These constantly surprising poems enchant even as they sting, revealing the light (and dark) side of Alfred Brendel, one of the world's greatest musicians. His followers will have to have this book, but so will anyone who enjoys readable poetry touched by a divine madness.
Discusses the creative process in classical music, examining such composers as Mozart, Busoni, Beethoven, and Liszt
Enchanting poems from the famous pianist Alfred Brendel.
Alfred Brendel is universally acknowledged as one of the world's leading pianists. He is also the author of several books, including Alfred Brendel on Music, The Veil of Order and One Finger Too Many. Cursing Bagels is his second collection of poetry, and is by turns witty, plaintive, dadaist and grounded. With these English versions translated by the author with Richard Stokes, Brendel affirms his position as one of the most curious and playful minds in the business. 'Alfred Brendel's poems are a delight. His voice is wonderfully eccentric, droll, sly, mischievous - the same brilliant fingers making a new sound.' Harold Pinter 'Brendel has produced a collection of texts that will join the select ranks of genuinely comic literature.' Hans Zender, Frankfurter Allgemeine Zeitung 'I have hugely enjoyed Alfred Brendel's unexpected One Finger Too Many. Brendel's poems are trapdoors into his dream-life, witty, Dadaesque and subversive - especially of his own grandeur as a musician.' A. Alvarez, Times Literary Supplement