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Swiss Graphic Design
By the 1950s, Switzerland had developed a distinct graphic language and a unique style of graphic design. This book gives an account of this period in graphic design history, setting the stylistic developments into the social & cultural context of the times.
Interiors
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Swiss Furniture and Interiors in the 20th Century
For the first time, the development of interiors and furniture in Switzerland from the end of the nineteenth century to the present day have been surveyed and documented. Following the two introductory essays, seven chapters focus each on a time span of 15 years, with detailed information on the definitive masterpieces of that period. Some 20 representative interiors reveal the significant changes in living space during the 20th century. A fully illustrated catalogue of over 300 objects from furniture to ceramics and household objects and around 150 biographies conclude the publication.Edited by Professor Arthur Rüegg, this fascinating compendium of the great classics in Swiss design contains much previously inaccessible information, rare early works and invaluable details on the origins and production of the objects. A large part of the furniture has been photographed especially for this publication and model furnished interiors have been drawn to the same scale.
Furniture by Architects
An expanded edition of Furniture by Architects which surveys the finest furniture designed - and still produced - by more than 100 of the 20th century's leading architects, among them Charles Eames, Eileen Gray, Gerrit Rietveld and Charles Gwathmey.
Constructing Architecture
Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.
Herzog & de Meuron
More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.
Art Bibliographies
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