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Alfred Jacob Miller (1810-1874) was the first artist to journey into the heart of the Rocky Mountains. He did so as the commissioned expedition artist for William Drummond Stewart (1795-1871), a Scottish nobleman and veteran of a five-year hunting tour in America. Their destination would be the annual fur traders' rendezvous at Horse Creek, near the present-day border of Colorado and Wyoming. Miller, Stewart, and the rest of their party departed from Independence, Missouri, in mid-May 1837. They arrived at the rendezvous two months later and, after a week among the trappers and traders, headed into the Wind River Mountains to the source of the Green River. There, they spent the waning summer...
Published on the occasion of an exhibition held at the Nelson-Atkins Museum of Art, Sept. 25-Jan. 9, 2011, the Museum of Fine Arts, Houston, Feb. 5-May 8, 2011, and the Philadelphia Museum of Art, June 4-Sept. 18, 2011.
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
The American West of the nineteenth century was a world of freedom and adventure for men of every stripe—not least also those who admired and desired other men. Among these sojourners was William Drummond Stewart, a flamboyant Scottish nobleman who found in American culture of the 1830s and 1840s a cultural milieu of openness in which men could pursue same-sex relationships. This book traces Stewart’s travels from his arrival in America in 1832 to his return to Murthly Castle in Perthshire, Scotland, with his French Canadian–Cree Indian companion, Antoine Clement, one of the most skilled hunters in the Rockies. Benemann chronicles Stewart’s friendships with such notables as Kit Carson, William Sublette, Marcus Whitman, and Jim Bridger. He describes the wild Renaissance-costume party held by Stewart and Clement upon their return to America—a journey that ended in scandal. Through Stewart’s letters and novels, Benemann shows that Stewart was one of many men drawn to the sexual freedom offered by the West. His book provides a tantalizing new perspective on the Rocky Mountain fur trade and the role of homosexuality in shaping the American West.