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Haiti's Influence on Antebellum America
The Haitian Revolution began in 1791 as a slave revolt on the French colonial island of Saint Domingue and ended thirteen years later with the founding of an independent black republic. Waves of French West Indians -- slaves, white colonists, and free blacks -- fled the upheaval and flooded southern U.S. ports -- most notably New Orleans -- bringing with them everything from French opera to voodoo. Alfred N. Hunt discusses the ways these immigrants affected southern agriculture, architecture, language, politics, medicine, religion, and the arts. He also considers how the events in Haiti influenced the American slavery-emancipation debate and spurred developments in black militancy and Pan-Africanism in the United States. By effecting the development of racial ideology in antebellum America, Hunt concludes, the Haitian Revolution was a major contributing factor to the attitudes that led to the Civil War.
The Exile's Song
The extraordinary story of African American composer Edmond D d , raised in antebellum New Orleans, and his remarkable career in France In 1855, Edmond D d , a free black composer from New Orleans, emigrated to Paris. There he trained with France s best classical musicians and went on to spend thirty-six years in Bordeaux leading the city s most popular orchestras. How did this African American, raised in the biggest slave market in the United States, come to compose ballets for one of the best theaters outside of Paris and gain recognition as one of Bordeaux s most popular orchestra leaders? Beginning with his birth in antebellum New Orleans in 1827 and ending with his death in Paris in 1901, Sally McKee vividly recounts the life of this extraordinary man. From the Crescent City to the City of Light and on to the raucous music halls of Bordeaux, this intimate narrative history brings to life the lost world of exiles and travelers in a rapidly modernizing world that threatened to leave the most vulnerable behind.
Devils and Rebels
"Well-written, scrupulously researched, and simultaneously sympathetic and critical toward its subject, Reynolds's book is important not only for its historically responsive account of Hawthorne's widely misunderstood politics but also its invigorating portrait of a perceptive author who struggled to resist the political extremism that swept the Northern states before and after the bombardment of Fort Sumter." ---New England Quarterly "This beautifully written, thoroughly researched study faces criticism of Hawthorne, both in his day and the present, for his stance on slavery and the Civil War. . . . Reynolds shows Hawthorne to have rejected the extremism of the abolitionists, been a pacifis...
Performing the Temple of Liberty
How popular theater, including blackface characters, reflected and influenced attitudes toward race, the slave trade, and ideas of liberty in early America. Jenna M. Gibbs explores the world of theatrical and related print production on both sides of the Atlantic in an age of remarkable political and social change. Her deeply researched study of working-class and middling entertainment covers the period of the American Revolution through the first half of the nineteenth century, examining controversies over the place of black people in the Anglo-American moral imagination. Taking a transatlantic and nearly century-long view, Performing the Temple of Liberty draws on a wide range of performed...
Confronting Black Jacobins
Confronting the rise of Black Jacobins, 1791-1793 -- Confronting Black Jacobins on the march, 1793-1797 -- Confronting the surge of Black Jacobins, 1797-1803 -- Confronting the triumph of Black Jacobins, 1804-1819 -- Hemispheric Africans and Black Jacobins, 1820-1829 -- U.S. Negroes and Black Jacobins, 1830-1839 -- Black Jacobins weakened, 1840-1849 -- Black Jacobins under siege, 1850-1859 -- The U.S. Civil War, the Spanish takeover of the Dominican Republic and U.S. Negro emigrants in Haiti, 1860-1863 -- Haiti to be annexed/Haitians to be re-enslaved? 1863-1870 -- Annex Hispaniola and deport U.S. Negroes there? 1870-1871
Rebels, Reformers, and Revolutionaries
This collection of essays examines the lives and thoughts of three interrelated Southern groups - enslaved rebels, conservative white reformers, and white revolutionaries -presenting a clear and cogent understanding of race, reform, and conservatism in early American history.
Amerindians Africans Americans
Drie papers over de geschiedenis van het Caribisch gebied. Deze papers werden gpresenteerd op een congres over de associatie van Caribische hisotrici.
African Americans and the Haitian Revolution
Bringing together scholarly essays and helpfully annotated primary documents, African Americans and the Haitian Revolution collects not only the best recent scholarship on the subject, but also showcases the primary texts written by African Americans about the Haitian Revolution. Rather than being about the revolution itself, this collection attempts to show how the events in Haiti served to galvanize African Americans to think about themselves and to act in accordance with their beliefs, and contributes to the study of African Americans in the wider Atlantic World.
Noise and Spirit
Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions. Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil. The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.
