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In Tip of the Spear, Alfred Peredo Flores argues that the US occupation of the island of Guåhan (Guam), one of the most heavily militarized islands in the western Pacific Ocean, was enabled by a process of settler militarism. During World War II and the Cold War, Guåhan was a launching site for both covert and open US military operations in the region, a strategically significant role that turned Guåhan into a crucible of US overseas empire. In 1962, the US Navy lost the authority to regulate all travel to and from the island, and a tourist economy eventually emerged that changed the relationship between the Indigenous CHamoru population and the US military, further complicating the proce...
"Even before wartime incarceration, Japanese Americans largely lived in separate cultural communities from their West Coast neighbors. The first-generation American children, the Nisei, were American citizens, spoke English, and were integrated in public schools, yet were also socially isolated in many ways from their peers and subject to racism. Their daughters especially found rapport in a flourishing network of ethnocultural youth organizations. Until now, these groups have remained hidden from the historical record, both because they were girls' groups and because evidence of them was considered largely ephemeral. In her second book, Valerie Matsumoto has recreated this hidden world of f...
The 1898 annexation of Hawaiʻi to the US is often framed as an inevitable step in American expansion—but it was never a foregone conclusion. By pairing the intimate and epic together in critical juxtaposition, Christen T. Sasaki reveals the unstable nature not just of the coup state but of the US empire itself. The attempt to create a US-backed white settler state in Hawaiʻi sparked a turn-of-the-century debate about race-based nationalism and state-based sovereignty and jurisdiction that was contested on the global stage. Centered around a series of flash points that exposed the fragility of the imperial project, Pacific Confluence examines how the meeting and mixing of ideas that occurred between Hawaiians and Japanese, white American, and Portuguese transients and settlers led to the dynamic rethinking of the modern nation-state.
Introduction : Nước : archipelogics and land/water politics -- Archipelagic history : Vietnam, Palestine, Guam, 1967-75 -- The "new frontier" : settler imperial prefigurations and afterlives of America's war in Vietnam -- Operation New Life : Vietnamese refugees and U.S. settler militarism in Guam -- Refugees in a state of refuge : Vietnamese Israelis and the question of Palestine -- The politics of staying : the permanent/transient temporality of settler militarism in Guam -- The politics of translation : competing rhetorics of return in Israel-Palestine and Vietnam -- Afterword : floating islands : refugee futurities and decolonial horizons.
After the US war in Vietnam, close to 800,000 Vietnamese left the country by boat, survived, and sought refuge throughout Southeast Asia and the Pacific. This is the story of what happened in the camps. In Camps raises key questions that remain all too relevant today: Who is a refugee? Who determines this status? And how does it change over time? From Guam to Malaysia and the Philippines to Hong Kong, In Camps is the first major work on Vietnamese refugee policy to pay close attention to host territories and to explore Vietnamese activism in the camps and the diaspora. This book explains how Vietnamese were transformed from de facto refugees to individual asylum seekers to repatriates. Ambitiously covering people on the ground—local governments, teachers, and corrections officers—as well as powerful players such as the UN High Commissioner for Refugees and the US government, Jana Lipman shows that the local politics of first asylum sites often drove international refugee policy. Unsettling most accounts of Southeast Asian migration to the US, In Camps instead emphasizes the contingencies inherent in refugee policy and experiences.
The first volume to explore transnational anticolonialism as a global phenomenon spanning the entire twentieth century. Leading scholars demonstrate that anticolonial movements everywhere in this period were invariably transnational in terms of their imaginaries, mobilities, and networks, and that their legacies fundamentally shaped the present.
In Mapping Abundance for a Planetary Future, Candace Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Māui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kānaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance.
From hip-hop artists in the Marshall Islands to innovative multimedia producers in Vanuatu to racial justice writers in Utah, Pacific Islander youth are using radical expression to transform their communities. Exploring multiple perspectives about Pacific Islander youth cultures in such locations as Aotearoa New Zealand, Australia, Hawai‘i, and Tonga, this cross-disciplinary volume foregrounds social justice methodologies and programs that confront the ongoing legacies of colonization, incarceration, and militarization. The ten essays in this collection also highlight the ways in which youth throughout Oceania and the diaspora have embraced digital technologies to communicate across national boundaries, mobilize sites of political resistance, and remix popular media. By centering Indigenous peoples’ creativity and self-determination, Reppin’ vividly illuminates the dynamic power of Pacific Islander youth to reshape the present and future of settler cities and other urban spaces in Oceania and beyond.