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Bibliography of Art and Architecture in the Islamic World (2 vols.)
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Architectural Draughtsmanship
This is the proceedings of the XVI International Congress of Graphic Design in Architecture, EGA 2016, held in Alcalá de Henares, Spain, in June 2016. About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.
From Colonies to Countries in the North Caribbean
This volume brings together eight essays that address the result of a research project involving a group of international scholars. It explores a little-discussed, yet interesting phenomenon in the Caribbean and Gulf of Mexico region – how military engineers reshaped the physical landscape for imperial reasons and, in doing so, laid the foundations for broader colonial development. Moreover, this transnational scenario reveals how military construction reached beyond cross-borders themes and histories from the age of imperialism. As such, this book provides valuable insights into the role of military engineers in the process of articulating new American countries from the late 18th to 19th...
Unifying Themes in Complex Systems IX
Unifying Themes in Complex Systems is a well-established series of carefully edited conference proceedings that serve to document and archive the progress made regarding cross-fertilization in this field. The International Conference on Complex Systems (ICCS) creates a unique atmosphere for scientists from all fields, engineers, physicians, executives, and a host of other professionals, allowing them to explore common themes and applications of complex systems science. With this new volume, Unifying Themes in Complex Systems continues to establish common ground between the wide-ranging domains of complex systems science.
Murillo y su estela en Sevilla
"Uno de los aspectos más necesitados de investigación y revisión es precisamente el de los discípulos de Murillo. Tanto Diego Angulo como Enrique Valdivieso han señalado en sus respectivos catálogos razonados que es precisamente en los discípulos de Murillo como Pedro Núñez de Villavicencio, Juan Simón Gutiérrez, Sebastián Gómez 'el mulato', Francisco Meneses Osorio, Esteban Márquez y en el XVIII Ruiz Soriano, Domingo Martínez hasta Juan de Espinal donde todavía perduran los ecos del murillismo. Estudiar con rigor y con un discurso nuevo, absolutamente renovador, la perduración de los modelos murillescos y el funcionamiento de la academia sevillana, es una de las asignaturas pendientes de la investigación histórico-artística. Sería una ocasión única para arrojar luz a este complicado mundo que está virtualmente inédito."--publisher's description.
The Cathedral of Seville
Erected in 1401 on a long-time site of worship, the Cathedral is one of Europe's most impressive buildings. When the canons demanded a new church "such and so well that it should have no equal, " construction was started in a style that is an architectural collage: primarily Gothic with elements of Visigothic and Almohade (Moorish) art. The text traces the Cathedral's history from a 12th century mosque to its blessings in 1507. In addition, a "tour" of this magnificent structure is conducted with emphasis on its unusual architectural features.
La formación artística: creadores-historiadores-espectadores
En esta publicación se recogen los trabajos presentados en el XXI Congreso Nacional de Historia del Arte (CEHA), celebrado en el Palacio de la Magdalena de Santander entre los días 20 al 23de septiembre de 2016. El eje vertebrador de dicho congreso giró en torno a una temática a la vez monográfica y transversal: LA FORMACIÓN ARTÍSTICA. Se aborda este objetivo desde la doble perspectiva que plantean los dos protagonistas principales del diálogo artístico (el creador y el espectador), pasando por el historiador del arte como mediador entre ambos. Empleando este hilo conductor, se traza el rico panorama investigador nacional, tratando de reflejar las principales orientaciones metodológicas de la disciplina, así como las líneas de trabajo más consolidadas y las emergentes. Las aportaciones en cada uno de los seis bloques (desde el gremio, la formación académica o la universitaria, la educación de la mirada, la crisis de la Historia del Arte, las fuentes, la historiografía y la literatura artística y, por último, el dedicado a proyectos, tesis y grupos de I+D+i) presentan una visión actualizada de algunas de las tendencias de la investigación en Historia del Arte.
