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A collection of thirteen short stories about New Hampshire neighborhoods and people, set in the fictional village of Tiverton, a farming community close to the sea.
Looking for love? Call in the expert. Alice Brown is a matchmaker extraordinaire. She has never, ever failed to find her clients the man of their dreams, and she doesn't intend to start now. As she tells her clients: Life's more exciting when you let yourself be surprised. But Alice's latest client Kate is proving her biggest challenge yet. Kate is a on a mission: she wants the perfect man. Trouble is, Kate could find fault with George Clooney and reject Johnny Depp. Will Kate be the first client for whom Alice fails to find love? Truth is, Alice has failed once before - she is the one person who remains resolutely single. In helping Kate, will she finally learn to take her own advice too?
Scare Tactics identifies an important but overlooked tradition of supernatural writing by American women. Jeffrey Weinstock analyzes this tradition as an essentially feminist attempt to imagine alternatives to a world of limited possibilities. In the process, he recovers the lives and works of authors who were important during their lifetimes and in the development of the American literary tradition, but who are not recognized today for their contributions. Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women in the periodical press and in books. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlot...
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My name is Alice Long, and I've always known I was different.When I was little I used to climb up to the highest branches of the housetree at night, and watch the starships docking at the orbital stations high above. Forty meters off the ground, watching ships thirty thousand kilometers overhead, with senses that could pick out radar pings and comm chatter as easily as the ships themselves. It all seemed perfectly natural at the time.There were other kids with mods at the orphanage, but nothing like that. I learned fast to downplay my abilities, keep my mouth shut and try to blend in. Even as a kid I knew not to trust the Matrons. What would they do, if they realized the Adjustments that were supposed to make me a meek little herd animal didn't do anything?Then I messed up, and gave myself away.Now I'm on the run, hoping against hope that the Matrons won't try too hard to find me. Hoping to survive all the awful things that can happen to a girl on her own in space. Kidnappers, slavers, pirates and yakuza - no matter where I go, trouble always seems to find me.Good thing I'm not as helpless as I look.
These sixteen short stories are packed full with charming characters and vibrant prose. Each of the tales are based in New England and primarily centered on strong female protagonists who face various hurdles in their relationships. Alice Brown is an American novelist and short-story writer. She is best known for her tales about New England and as a writer of local colour stories. Born in New Hampshire in 1857, Brown's stories often portray a female protagonist in a domestic setting. Her first novel, 'Stratford-by-the-Sea', was published in 1884. It cemented Brown as part of the Boston literary scene, but by the time she died in 1948 (aged 91), many of her stories had been forgotten about and were no longer being published.
In this poignant multicultural collection of short stories by American women writers, mothers and daughters describe their conflicts and consolations, their trusts and mistrusts, their loves and hates. Including stories written between the 1840s and the 1990s, Between Mothers and Daughters explores the maternal and filial bonds between women and investigates the practice of family, exposing the complicated, bittersweet truths of women's intergenerational relationships. Newly revised and updated, this edition of the classic anthology includes several new stories and an expanded introduction that revisits this ancient relationship with fresh vision and insight. Book jacket.