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'Hiller offers extraordinary resilience and moments of immense, liberatory tenderness. [...] This is a harrowing book, yes, but ultimately, with its invitation to “billow forth the wrecks we hold”, with its emphasis on resistance and joy, it is a staggeringly beautiful piece of life-affirming work.' Stephanie Sy-Quia, The Poetry Review
"Poetry Book Society Summer Special Commendation" -- Front cover.
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Revolutionary, reflective and romantic, I Am Nobody's Nigger is the powerful debut collection by one of the UK's finest emerging poets. Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. Longlisted for the Polari First Book Prize 2014'Go Dean Atta. Speak the truth. Tweet the truth. Upload it. Let it ring out over the digital domain and strike at the heart of the offline wireless and disconnected.' Lemn Sissay 'Dean Atta's poetry is as honest as truth itself. He follows no trend; he seeks no favours ... Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes ov...
A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and...
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
Longlisted for the Laurel Prize 2022What Fire is about how to continue as catastrophe crawls in, when the climate crisis has its grip on us all, the internet has been shut down, and the buildings are burning up. What happens when the philosophers never arrive? What songs are still worth singing? In her third collection, Alice Miller takes a fierce, unflinching look at the world we live in, at what we have made, and whether it is possible to change.
Walking, getting lost, and finding home is refuge in an unsettling world, are the themes in Sarah Corbett’s fifth collection. Written from an intimate knowledge of the Calder Valley, these poems respond to a landscape as beautiful as it is disquieting, troubled by a warming climate and by violence.
Whalers, Witches and Gauchos explores narratives of displacement, the way we navigate between countries and cultures, and how where we come from makes us who we are. Using her Basque ancestors as a point of reference - these same whalers, witches and gauchos who travelled to the other side of the world or were persecuted - Irigaray conjures up her memories of living in the Basque Country, France, Ireland, Italy and the UK. This pamphlet depicts what it is to migrate between places and languages seeking homes that can both sustain us and allow us to grow. Irigaray's experiences abroad aroused her interest in languages, identity and multicultural backgrounds, recurrent themes in her work. She is intrigued by the morphing of one's identity as a foreigner, the feeling of homesickness and the rejection of either the native or adopted country. She is especially interested in this phenomenon in relation to writers and finding the evidence of this influence in their work.
A Poetry Book Society Recommendation Luke Kennard recasts Shakespeare's 154 sonnets as a series of anarchic prose poems set in the same joyless house party. Wry, insolent and self-eviscerating, Notes on the Sonnets riddles the Bard with the anxieties of the modern age, bringing Kennard's affectionate critique to subjects as various as love, marriage, God, metaphysics and a sad horse.