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AliOCOs father is a Turkish circus musician performing in Kabul when AliOCOs mother, a young pediatrician from Melbourne, meets him in a bar. He plays the trumpet, the saz, the flute, hears voices that urge him to violence, sees angels in the skies and djinns in the street, inscribes prayers and invocations on the walls of his room, and across the suburb. lgezer offers a remarkable portrait of this crazed visionary, a madman and a mystic, intoxicated with hashish and Sufism, who wrecks the family, but is also an enchanted being. AliOCOs mother has grown up on AustraliaOCOs outback frontiers OCo their courtship takes them from Afghanistan across Iran to Turkey and then to London where Ali is born. The novel is AliOCOs coming to terms with this meeting of two cultures that are at once so similar and so separate."
“One of America’s most notorious murder cases inspires this feverish debut” novel that goes inside the mind of Lizzie Borden (The Guardian). On the morning of August 4, 1892, Lizzie Borden calls out to her maid: Someone’s killed Father. The brutal ax-murder of Andrew and Abby Borden in their home in Fall River, Massachusetts, leaves little evidence and many unanswered questions. In this riveting debut novel, Sarah Schmidt reimagines the day of the infamous murders as an intimate story of a family devoid of love. While neighbors struggle to understand why anyone would want to harm the respected Bordens, those close to the family have a different tale to tell―of a father with an expl...
One World Two is the eagerly awaited follow-up to One World and another globe-trotting collection of stories. But it is more than simply an anthology of short fiction, as it contains representative literature from all over the world, conveying the reader on thought-provoking journeys across continents, cultures and landscapes. One World Two is even more ambitious than Volume One in its geographic scope, featuring twenty-one writers drawn from every continent. Most of the stories are unique to this volume, while others are appearing for the first time in English (Egypt's Mansoura Ez-Eldin and Brazil's Vanessa Barbara). The themes and writing styles are as richly diverse as their writers' orig...
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Ali's father is a Turkish circus musician performing in Kabul when Ali's mother, a young pediatrician from Melbourne, meets him in a bar. He plays the trumpet, the saz, the flute, hears voices that urge him to violence, sees angels in the skies and djinns in the street, inscribes prayers and invocations on the walls of his room, and across the suburb. The author offers a remarkable portrait of this crazed visionary, a madman and a mystic, intoxicated with hashish and Sufism, who wrecks the family, but is also an enchanted being. Ali's mother has grown up on Australia's outback frontiers -- their courtship takes them from Afghanistan across Iran to Turkey and then to London where Ali is born. The novel is Ali's coming to terms with this meeting of two cultures that are at once so similar and so separate.
Originally published: Australia: Allen & Unwin, 2010.
The Man Who Loved Children is Christina Stead's masterpiece about family life. Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children. Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own. First published in 1940, The Man Who Loved Children was hailed for its satiric energy. Now its originality is again lauded by novelist, Jonathan Franzen, in his illuminating new introduction.
A novel of great sensitivity about people in Cape Town organizing underground opposition to apartheid
As her parents clash over unwashed dishes and unlit fires, ten-year-old Laura works hard to keep the household running. When her mother disappears into the bush, Laura finds a farewell note and makes an impulsive decision that alters the course of her family's life. Despite her anger and grief, Laura helps her father clear their wild acreage to carve out a farm. But gradually they realise that while they may own the land, they cannot tame it - nor can they escape their past. ANCHOR POINT charts Laura's life over the course of four decades as she tries to hold her family together and find her place in the world. Eventually, she has to confront the choices she has made and decide where she truly belongs. This is an eloquent, arresting and quintessentially Australian novel that no reader will easily forget.Suspicious of Grace, Esther takes drastic action to escape. But there are certain facts about the reality of her situation - her place in time, her history and her life - that she will need to uncover first.
This book is made up of twenty-three stories, each from a different author from across the globe. All belong to one world, united in their diversity and ethnicity. And together they have one aim: to involve and move the reader. The range of authors takes in such literary greats as Chimamanda Ngozi Adichie and Jhumpa Lahiri, and emerging authors such as Elaine Chiew, Petina Gappah, and Henrietta Rose-Innes. The members of the collective are: Elaine Chiew (Malaysia) Molara Wood (Nigeria) Jhumpa Lahiri (United States) Martin A Ramos (Puerto Rico) Lauri Kubutsile (Botswana) Chika Unigwe (Nigeria) Ravi Mangla (United States) Chimamanda Ngozi Adichie (Nigeria) Skye Brannon (United States) Jude Dib...