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Cold Enough for Snow
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk ...
Colonial Australian Fiction
Over the course of the nineteenth century a remarkable array of types appeared – and disappeared – in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the “currency lass”, the squatter, and more. Some had a powerful influence on the colonies’ developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies. In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, coloni...
Chai Time at Cinnamon Gardens
'This is an engaging story that feels both urgent and necessary. It is also a terrific read.' – The Daily Telegraph (Australia) Welcome to Cinnamon Gardens, a home for those who are lost and the stories they treasure. Cinnamon Gardens Nursing Home is nestled in the quiet suburb of Westgrove, Sydney – populated with residents with colourful histories, each with their own secrets, triumphs and failings. This is their safe place, an oasis of familiar delights – a beautiful garden, a busy kitchen and a bountiful recreation schedule. But this ordinary neighbourhood is not without its prejudices. The serenity of Cinnamon Gardens is threatened by malignant forces more interested in what makes this refuge different rather than embracing the calm companionship that makes this place home to so many. As those who challenge the residents’ existence make their stand against the nursing home with devastating consequences, our characters are forced to reckon with a country divided. Chai Time at Cinnamon Gardens is about family and memory, community and race, but is ultimately a love letter to storytelling and how our stories shape who we are.
New Australian Fiction 2022
Characters hunt for fame and fortune. Children rise from the dead to return to their mothers. The world is on fire. New Australian Fiction showcases the strength and diversity of Australian short fiction at its best. Now in its fourth year, these stories will move, entertain and enlighten you. With contributions by: KAVITA BEDFORD WHITNEY CHEN MAXINE BENEBA CLARKE WILL COX JACQUI DAVIES A E MACLEOD JASMIN MCGAUGHEY NINA NEWCOMBE RAEDEN RICHARDSON MELANIE SAWARD BOBUQ SAYED ELIZABETH TAN JACK VENING CHLOE WILSON Praise for previous editions: ‘These beautiful stories will transport you to other worlds.’ – Mirandi Riwoe ‘A versatile and immersive collection that promises to delight all lovers of fiction.’ – Books+Publishing
Apocalypse in Australian Fiction and Film
Australia has been a frequent choice of location for narratives about the end of the world in science fiction and speculative works, ranging from pre-colonial apocalyptic maps to key literary works from the last fifty years. This critical work explores the role of Australia in both apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse is used to undermine complacency, foretell environmental disasters, critique colonization, and to serve as a means of protest for minority groups. Australian apocalypse imagines Australia at the ends of the world, geographically and psychologically, but also proposes spaces of hope for the future.
Australian Fiction as Archival Salvage
Australian Fiction as Archival Salvage examines key developments in the field of the Australian postcolonial historical novel from 1989 to the present. In parallel with this analysis, A. Frances Johnson undertakes a unique study of in-kind creativity, reflecting on how her own nascent historical fiction has been critically and imaginatively shaped and inspired by seminal experiments in the genre – by writers as diverse as Kate Grenville, Mudrooroo, Kim Scott, Peter Carey, Richard Flanagan, and Rohan Wilson. Mapping the postcolonial novel against the impact of postcolonial cultural theory and Australian writers’ intermittent embrace of literary postmodernism, this survey is also read against the post-millenial ‘history’ and ‘culture wars’ which saw politicizations of national debates around history and fierce contestation over the ways stories of Australian pasts have been written.
The Routledge Companion to Australian Literature
In recent years, Australian literature has experienced a revival of interest both domestically and internationally. The increasing prominence of work by writers like Christos Tsiolkas, heightened through television and film adaptation, as well as the award of major international prizes to writers like Richard Flanagan, and the development of new, high-profile prizes like the Stella Prize, have all reinvigorated interest in Australian literature both at home and abroad. This Companion emerges as a part of that reinvigoration, considering anew the history and development of Australian literature and its key themes, as well as tracing the transition of the field through those critical debates. ...
The Cambridge History of Australian Literature
Draws on scholarship from leading figures in the field and spans Australian literary history from colonial origins, indigenous and migrant literatures, as well as representations of Asia and the Pacific and the role of literary culture in modern Australian society.
Globaletics and Radicant Aesthetics in Australian Fiction
This book focuses on the issues of space, culture and identity in recent Australian fiction. It discusses the work of 15 authors to show that, in Australia, the meaning of “country” remains critical and cultural belonging is still a difficult process. Interrogating the definition of Australia as a “post-colonial nation” and its underlying extension from Britain, it applies Nicolas Bourriaud’s concept of the Radicant to examine Australian writing beyond the “post” of “post-colonialism”. The book shows that some authors are engaged in writing about the country and the time in which they live, but that they also share common critical views on the definition of multiculturalism, the belonging to place, and integration in the nation. The volume suggests that theories of cultural hybridism presented as a decolonising methodology in fact dissolve singularity in the same way that globalisation creates standardisation. It argues that 21st century Australian fiction depicts the subject as a radicant and that Australian culture constitutes a mobile entity unconnected to any soil.
