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"A mongrel dog named Freaky, the corpse of a man with a seemingly endless list of aliases, and a handful of tips from an anonymous woman caller. With these elements hard-nosed Inspector Petra Delicado and her sentimental sidekick, Fermin Garzon, begin an investigation into big-money dog smuggling. Their best leads come from the most unlikely sources: a ruggedly handsome vet; a blond bombshell who trains guard dogs; an eccentric university professor; and a haughty dog groomer. At times, these two world-wise detectives are at a loss, but Delicado and Garzon are not the sort of cops that rely on hunches. They methodically pursue their investigation, drawing the reader into a complex and sordid story in which passions and profits turn men into beasts and animals into victims. Dog Day is set in a Barcelona that few visitors to the city will ever see, a Barcelona that lurks beneath the surface of one of Europe's most dazzling cities. A broken heart, a new monstrosity, and another dead body accompany every step through this demimonde."--BOOK JACKET.
Book Four in the Petra Delicado series. In this new installment in the Petra Delicado series, Alicia Gim'nez-Bartlett proves once more why she was named the best female writer in Spain, and gives further evidence for the success of this series both in her native country and abroad. A detested television journalist who specialized in muckraking has been murdered, and it looks like the work of a professional killer. When the detectives who began the investigation are reassigned to another celebrity murder, the case is handed to Inspector Petra Delicado and Sergeant Fermin Garzn. But the two murders may be more closely linked than they seem, and before long Delicado and Garzn find themselves dr...
Alicia Giménez Bartlett’s popular crime series, written in Spanish and organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermín Garzón, is arguably the most successful detective series published in Spain during the previous three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural. She argues that even as the series incorporates gender differences into the crime series formula, it does so in order to correct women, naturalize men’s authority, sanction social hierarchies, and assuage collective anxieties. As Molinaro shows, with the exception of the protagonist, the women characters require constant surveillance and modification, often as a result of men’s supposedly intrinsic protectiveness or excessive sexuality. Men, by contrast, circulate more freely in the fictional world and are intrinsic to the political, psychological, and economic prosperity of their communities. Molinaro situates her discussion in Petra Delicado’s contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.
The Planeta Prize–winning novel from the author of the Petra Delicado series: “A highly literate noir, a powerful tale of lives spiraling out of control” (NB magazine). Irene’s husband has left her for a younger woman and her family business is on the verge of collapse, but the last thing she wants is to be the subject of gossip or pity. So she starts spending time with a divorcée who, in liberating herself from the bonds of marriage, has also freed herself from the clutches of the old crowd of “couple friends.” Javier is a literature teacher who suddenly loses his job at a Catholic school. He’s not ambitious—the months go by and no work materializes. Then, almost by acciden...
Petra Delicado, a Barcelona police inspector assigned to a desk job, returns to the homicide department to investigate the rapes of young girls by a serial rapist who only leaves a circular mark on his victims' forearms.
Alicia Giménez Bartlett's popular crime series, organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermín Garzón, is arguably the most successful detective series in Spain of the last three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural, and she situates her discussion in Petra Delicado's contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.
In Berlin, Max Duncker and his brother, Wolfgang, own a thriving publishing business, which owes its success to one woman: the Sibyl, or Mary Ann Evans, better known as George Eliot,who is writing the final installment of her bestselling serial Middlemarch. Max is as fond of gambling and brothels as Wolfgang is of making a profit and berating his spendthrift brother, but Max is given a chance to prove his worth by visiting the Sibyl and her not-quite-husband Lewes, to finalize the publishing rights to her new novel. The Sibyl proves to be as enthralling and intelligent as her books, bewitching Max and all of those around her. But Wolfgang has an ulterior motive for Max's visit; he wants his ...
"I don't remember who introduced me to Dr. Prendel. However, I do know that it was at the home of Martin Fleming, the psychiatrist, during a get-together of the faculty professors to celebrate his promotion from Assistant Dean to Dean, and I was immediately captivated by his reserved, taciturn attitude and the indifference with which he looked around him, as if he knew exactly what would happen and what would be said..." Legend has is that Dr. Matthew Prendel, an expert sailor, had been shipwrecked years before the action in The Island of Last Truth opens in contemporary New York. His boat was attacked by pirates. He survived thanks to an incredible stroke of luck, while his entire crew peri...
Alicia Giménez Bartlett’s popular crime series, written in Spanish and organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermin Garzon, is arguably the most successful detective series published in Spain during the previous three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural. She argues that even as the series incorporates gender differences into the crime series formula, it does so in order to correct women, naturalize men’s authority, sanction social hierarchies, and assuage collective anxieties. As Molinaro shows, with the exception of the protagonist, the women characters require constant surveillance and modification, often as a result of men’s supposedly intrinsic protectiveness or excessive sexuality. Men, by contrast, circulate more freely in the fictional world and are intrinsic to the political, psychological, and economic prosperity of their communities. Molinaro situates her discussion in Petra Delicado’s contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.