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Gender and Islam in Indonesian Cinema
This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the production of Islamic cinema, this new book considers gendered dimensions of Islamic media creation which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.
Alluring Monsters
The pontianak, a terrifying female vampire ghost, is a powerful figure in Malay cultures. Exploring how and why the pontianak found new life in postcolonial Southeast Asian film and society, Rosalind Galt reveals the importance of cinema to histories and theories of decolonization.
Salam Maria
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The Southeast Asian Woman Writes Back
This collection of essays examines how Southeast Asian women writers engage with the grand narratives of nationalism and the modern nation-state by exploring the representations of gender, identity and nation in the postcolonial literatures of Brunei Darussalam, Malaysia, Singapore, Indonesia, and the Philippines. Bringing to light the selected works of overlooked local women writers and providing new analyses of those produced by internationally-known women authors and artists, the essays situate regional literary developments within historicized geopolitical landscapes to offer incisive analyses and readings on how women and the feminine are imagined, represented, and positioned in relatio...
Cosmopolitan Intimacies
The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. The commercial films of the period, and in particular their film music, from national cultural icons P. Ramlee and Zubir Said, remain important reference points for Malaysia and Singapore to this day. This is the first in-depth study of the film music of the period. It brings together ethnomusicological and cultural studies perspectives. Written in an engaging manner, thoroughly illustrated and incorporating musical scores, the book will appeal to dedicated film fans, musicians, composers and film-makers interested in Southeast Asia and the Malay world. But equally, the conceptual framework will be of interest to a broad range of scholars of Southeast Asia, as it brings together ideas of cosmopolitanism and cultural intimacy to narrate a history of nation-making in the region.
Walking the Precipice
An “enthralling” memoir of a woman who risked her life to help a people under siege and a country caught between freedom and oppression (Publishers Weekly—starred review). In 1990, sixty-five-year-old activist and grandmother Barbara Bick traveled with a women’s delegation to Afghanistan for what she thought would be her last great adventure. Instead, Bick forged deep friendships with her Afghan hosts—only to watch in horror as the Taliban took over most of the country and instituted fiercely anti-woman policies. Eleven years later, at age 76, Bick returned to Afghanistan, travelling to the region controlled by the Northern Alliance, an anti-Taliban militia. In early September 2001...
(Re-)Claiming Bodies Through Fashion and Style
This book investigates ways of dressing, style and fashion as gendered and embodied, but equally as “religionized” phenomena, particularly focusing on one significant world religion: Islam. Through their clothing, Muslims negotiate concepts and interpretations of Islam and construct their intersectionally interwoven position in the world. Taking the interlinkages between ‘fashionized religion,’ ‘religionized fashion,’ commercialization and processes of feminization as a starting point, this book reshapes our understanding of gendered forms of religiosity and spirituality through the lens of gender and embodiment. Focusing mainly on the agency and creativity of women as they appro...
Postcolonial Masculinities
Exploring the similarities and differences between and across masculinities in the Middle East and the West, Postcolonial Masculinities avoids the constant reinforcement of divisions and stereotypes created by the process of 'othering' and the problematic discourse of the clash of civilisations, examining instead how subjectivities in Western and Arab societies are intertwined, operating through envy of the other and the desire to be at once the same and yet fundamentally separate. With a focus on England and Egypt, this book reveals the manner in which masculinities are shaped in and through a history of colonialism and postcolonialism, irrespective of colour, ethnicity, religion, class, se...
The Haunted Vagina
Steve is madly in love with his eccentric girlfriend, Stacy. Unfortunately, their sex life has been suffering as of late, because Steve is worried about the odd noises that have been coming from Stacy's pubic region. She says that her vagina is haunted. She doesn't think it's that big of a deal. Steve, on the other hand, completely disagrees. When a living corpse climbs out of her during an awkward night of sex, Stacy learns that her vagina is actually a doorway to another world. She persuades Steve to climb inside of her to explore this strange new place. But once inside, Steve finds it difficult to return... especially once he meets an oddly attractive woman named Fig, who lives within the lonely haunted world between Stacy's legs.
Screening Early Modern Drama
Pascale Aebischer provides the only comprehensive analysis of early modern drama on screen, expanding the scope of Shakespearean performance studies.
