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Re-dressing the Canon
Solomon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis.
The Queerest Art
The Queerest Art rereads the history of performance as a celebration and critique of dissident sexualities, exploring the politics of pleasure and the pleasure of politics that drive the theatre.
Women Mobilizing Memory
Women Mobilizing Memory, a transnational exploration of the intersection of feminism, history, and memory, shows how the recollection of violent histories can generate possibilities for progressive futures. Questioning the politics of memory-making in relation to experiences of vulnerability and violence, this wide-ranging collection asks: How can memories of violence and its afterlives be mobilized for change? What strategies can disrupt and counter public forgetting? What role do the arts play in addressing the erasure of past violence from current memory and in creating new visions for future generations? Women Mobilizing Memory emerges from a multiyear feminist collaboration bringing tog...
Undesirable Elements
"The cumulative power of these shared stories is nothing short of astonishing. Ping Chong creates a tremendous tapestry of lives."—Twin Cities Reader This three-piece volume of Undesirable Elements, the community-specific theater works series, examines the lives of those born into one culture but living in another. Each production grows out of an extended residency, during which Ping Chong and his collaborators conduct interviews of community members and then create a script that explores both historical and personal narratives. Ping Chong is a theater director, playwright, choreographer, and video and installation artist. The recipient of two OBIE awards, two Bessie awards, and a Guggenheim Fellowship, he has created more than fifty works for the stage, including twenty-five in his Undesirable Elements series.
The Disappointed Bridge
This original study is the first major critical appraisal of Ireland’s post-colonial experience in relation to that of other emergent nations. The parallels between Ireland, India, Latin America, Africa and Europe establish bridges in literary and musical contexts which offer a unique insight into independence and freedom, and the ways in which they are articulated by emergent nations. They explore the master-servant relationship, the functions of narrative, and the concepts of nationalism, map-making, exile, schizophrenia, hybridity, magical realism and disillusion. The author offers many incisive answers to the question: What happens to an emerging nation after it has emerged?
Approaching the Millennium
Leading critics, scholars, and theater practictioners consider the most talked-about play of the 1990s
Innovation beyond Fiction
This book is about mathematics in the management of innovation, showing how recent advances in mathematics help us grasp and support innovation as a social activity of thinking and imagining together. It will make the reader rethink both innovation and mathematics by having them interplay in practical organizational settings. Told as fiction to make its argument more accessible, the book is nonetheless grounded in theoretical reflections and recent mathematical advances. In recounting the adventures of a committed and enthusiastic inventor-designer hampered by the increasing industrial bureaucratization of his world, it accounts for the fate of many innovation processes in large companies and administrations. Successful innovation hinges on having everyone involved in the process share a space of conceptual exploration. This philosophical aspect of the innovation process is about collective imagination, a notion that customary styles of thought have great difficulty dealing with. This is where mathematics, of a new kind, might prove to be a new platform for better management of innovation.
Talking Drama
The essays in Talking Drama ask what the relation is between drama and its critics. In so far as we conceive of drama and theatre as arising from and providing some sense of social ritual and comment, drama is itself a critical genre, showing up the foibles and problems of human existence as well as the general hubris and errors of society. Plays both constitute criticism--of society, of ideas, of other plays--and deploy such self-critical gambits as plays within plays, characters who watch other characters, characters feigning roles and personalities, and even the overt inclusion of characters who are critics. Plays, thus, comment both on themselves and on the art of theatre generally. At the same time, drama implies other kinds of critics in the guise of the audience, reviewers, and those who might participate in its ideas. Just as plays produce the seeds of their own critique, so they also spur critique of their aesthetics, the artistry of their performance, and the ideas and conflicts they illustrate. Critics who review play performances are as much an intrinsic part of theatrical events as the audience and the plays themselves.
Microbial Biodiversity
Biodiversity is among the richest treasures of the earth. Despite their small size, microbes play a vital role in environmental monitoring and making the earth sustainable. Microorganisms preserve and assist plants and animals o either directly or indirectly, and, due to their omnipresence in nature, they inhabit conditions such as extreme temperatures, water, soil, salt, medical wastes, agricultural wastes, and air. Microbes are also important in human culture and play an essential role in existence of life. They are present in food fermentation, sewage treatment, medical, agricultural, and soil waste, antibiotics, soil fertility, model organisms, and human microbiota, aid with decomposition, and are responsible for infectious diseases. This volume represents an important contribution to the field, highlighting the importance of microbial biodiversity to society.
Constructive Imperialism, Experts and Crisis in Colonial Cyprus
This book explores the colonial history of Cyprus through the history of technology. Based on materialist and actor-network approaches to power, it unfolds the role of technology in the formation of British colonial rule during critical episodes in Cyprus. It considers the entanglement of colonial rule and technology in four cases of infrastructural development: the island-wide electrification project, Famagusta and Larnaca Harbours, and the Cyprus Government Railway. Throughout these cases, the reader will discover the expert-based, developmentalist and material ways of governing crises with which the British Empire expected to reproduce and prolong its rule on the island.
