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New Formations
Catalog published to coincide with an exhibition held at the Museum of Fine Arts, Houston, November 6, 2011-February 5, 2012.
Red Hot
Featuring works from an extraordinary private collection in Houston, this title provides a survey of the freshest and most innovative trends and movements coming out of Japan, China, South Korea and Vietnam, as well as responses from artists in America and Europe.
Texas
Provides the first assessment of the artists who have shaped the rich history of art in Texas, from its 19th-century origins to the diversity of the present scene.
Isamu Noguchi
Created by the renowned modernist artist and landscape architect Isamu Noguchi (1904–1988), the Cullen Sculpture Garden at The Museum of Fine Arts, Houston, has grown into one of the most important sculpture parks in America. For the past two decades the garden has offered a perfect setting to feature sculptures from the museum's outstanding collection and for masterworks on loan. This handsome book maps the sense of discovery and rediscovery that the Cullen Sculpture Garden instills in every visitor. Two essays by leading experts on Noguchi and landscape architecture illuminate the history of the garden and its creator, and scholarly catalogue entries shed light on all twenty-three of the sculptures exhibited within this remarkable one-acre site.
On Site
This beautifully designed publication commemorates the 50th anniversary of the public art collection of the University of Houston System. This beautifully designed publication commemorates the 50th anniversary of Public Art of the University of Houston System, including works by esteemed artists such as Carlos Cruz-Diez, Margo Sawyer, Alyson Shotz, Frank Stella and Andy Warhol. An essay by Alison de Lima Greene delves into the history of the collection and an essay by Public Art UHS director and chief curator María C. Gaztambide, Ph.D., looks towards its future. In addition, the volume highlights about 40 of the collection's most notable works, illustrated with all-new colour photography and accompanied by entries written by artists, scholars, curators and other members of the arts community. The book gives readers access to the nearly 300 artworks on view to the public every day throughout the University of Houston System. Contents: Foreword Acknowledgments The State of Public Art of the University of Houston System at Fifty by María C. Gaztambide On Site, In Time by Alison de Lima Greene Highlights of the Collection Selected Works Contributors Index.
Mark Rothko
"Mark Rothko (1903-1970), world-renowned icon of Abstract Expressionism, is rediscovered in this wholly original examination of his art and life written by his son. Synthesizing rigorous critique with personal anecdotes, Christopher, the younger of the artist's two children, offers a unique perspective on this modern master. Christopher Rothko draws on an intimate knowledge of the artworks to present eighteen essays that look closely at the paintings and explore the ways in which they foster a profound connection between viewer and artist through form, color, and scale. The prominent commissions for the Rothko Chapel in Houston and the Seagram Building murals in New York receive extended tre...
James Turrell
Published in conjunction with the artist's major retrospective exhibition, this comprehensive volume traces James Turrell's artistic practice from his years at the Mendota studio in Santa Monica, California, to his monumental work-in-progress at Roden Crater, an extinct volcano that he has been transforming into a naked-eye observatory since 1975. Whether he's projecting three-dimensional shapes into the corner of a gallery space or creating immersive environments that allow viewers to better understand their own perception, Turrell invites us to "go inside and greet the light", evoking the meditative practices of his Quaker upbringing. A critical figure emerging from Los Angeles's exploding...
Renoir
"Published by the Clark Art Institute on the occasion of the exhibition Renoir: The Body, The Senses, presented at the Clark Art Institute from June 8 to September 22, 2019, and at the Kimbell Art Museum from October 27, 2019, to January 26, 2020"--Colophon.
Rethinking Social Realism
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
