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Entangled Things takes the concept of entanglement as its starting point in investigating the often unintentional relationship between us and the material things we are fond of, or detest, obsessed with or reliant upon. Hulme uses each chapter to focus on a specific ethnography to illustrate a particular form of entanglement and uses this to discuss specific theories that relate to, or are specifically concerned with, entanglement. In so doing, Hulme encourages a wider consideration of the place of humans in the world, and the kind of choices we enact when influenced by the things we possess. Through engagement with a variety of thought on our relationship with things, including considering ...
Urban re-industrialisation could be seen as a method of increasing business effectiveness in the context of a politically stimulated 'green economy'; it could also be seen as a nostalgic mutation of a creative-class concept, focused on 3D printing, 'boutique manufacturing' and crafts. These two notions place urban re-industrialisation within the context of the current neoliberal economic regime and urban development based on property and land speculation. Could urban re-industrialisation be a more radical idea? Could urban re-industrialization be imagined as a progressive socio-political and economic project, aimed at creating an inclusive and democratic society based on cooperation and a sy...
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.
Entangled Things takes the concept of entanglement as its starting point in investigating the relationship between us and the material things we engage with. Each chapter illustrates a particular form of entanglement – desiring things, hoarding things, creating things, ridding ourselves of things – using ethnographic examples and theoretical perspectives. Hulme encourages a wider consideration of the place of humans in the world, and the kind of choices we enact when influenced by the material things around us. She explores our relationships with material objects in light of both personal and planetary ‘space’, and personal and historical time, from the space in our homes, storage sp...
2011 was a tumultuous year in terms of social protest movements. The Occupy movement spread across the globe with unprecedented support of an enormity not seen since 1968, while revolutions in Egypt, Tunisia, Morocco, Syria and Libya caught the attention of the global media and brought the word “revolution” back into public discussions on social justice and governance. For many people worldwide, it appears that it is time for social, political and economic change. And it is precisely time, in all its forms, which cannot be ignored in this context. As something that surrounds us and affects every aspect of our lives, time is at once a tool for control, for order, for emancipation, for und...
The idea of learning ecologies developed through this book, provides a more comprehensive and holistic view of learning and personal development than is normally considered in higher education. A learning ecology provides us with affordances, information,
This book examines contemporary American animated humor, focusing on popular animated television shows in order to explore the ways in which they engage with American culture and history, employing a peculiarly American way of using humor to discuss important cultural issues. With attention to the work of American humorists, such as the Southwest humorists, Mark Twain, Dorothy Parker, and Kurt Vonnegut, and the question of the extent to which modern animated satire shares the qualities of earlier humor, particularly the use of setting, the carnivalesque, collective memory, racial humor, and irony, Humor and Satire on Contemporary Television concentrates on a particular strand of American hum...
This is the kind of book you should read when you think you have had a bad day. Patrick Souiljaert was deprived of oxygen for the first 4 minutes of his life and consequently denied the gift of easy movement and speech for the remainder of it. It means that this brutally frank autobiography of someone with Cerebral Palsy who needs crutches for walking and eats stairs for breakfast when he falls, should be a depressing experience for the reader. It isnt. Patricks sense of humour and love of his fellow human beings shines through. His recall is amazing, his perception stunning. You, the reader, will share what it is like to have a profound physical disability, what it is like to have people patronise you when your IQ is several notches above those patronising you. You will laugh, you will cry and you will never feel sorry for yourself again. Patricks purpose in life is to help and inspire people - and make a difference in the world. Stairs For Breakfast is giving Patrick a platform as an inspirational speaker. He lives in southern England and is well-travelled.
This book explores the ways in which contemporary writers, artists, directors, producers and fans use the opportunities offered by popular fantasy to exceed or challenge norms of gender and sexuality, focusing on a range of media, including television episodes and series, films, video games and multi-player online role-play games, novels and short stories, comics, manga and graphic novels, and board games. Engaging directly with an enormously successful popular genre which is often overlooked by literary and cultural criticism, contributors pay close attention to the ways in which the producers of fantasy texts, whether visual, game, cinematic, graphic or literary texts, are able to play wit...
For at least two decades, major cities in Turkey have been subjected to endless waves of urban development that has left scores of building demolitions in its wake. The construction waste produced is immense but its removal or abatement is completely ignored by the state. Who will deal with all this waste? Enter the reclaimers (çkmacs), an informal network of building salvagers, who have stepped in to create a new form of assemblage that fills this gap. Erdogan Onur Ceritoglu makes an in-depth ethnographic study of the under-the-radar livelihood of the reclaimers long-term. He also focuses on incremental architecture through the reuse of second-hand building elements.