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Imaginary Spaces of Power in Sub-Saharan Literatures and Films
This collection of essays is unlike others in the field of African studies, for it is based on three very precisely delineated focal points: a particular geographical region, the sub-Sahara; specific modes of cultural production, literature and cinema; and a focus on works of French expression. This three-fold approach to exploring the relationships between power and culture in a non-Western environment greatly contributes to making this book unique from a variety of perspectives: African, Francophone and postcolonial studies, as well as cross-disciplinary, cultural, transnational and diasporic studies. Moreover, the book offers deft and innovative analyses that move beyond the rhetoric of c...
Francophone African Narratives and the Anglo-American Book Market
In recent years, the material circumstances governing the production of African literature have been analyzed from a variety of angles. This study goes one step further by charting the trajectories of a corpus of francophone African (sub-Saharan) narratives subsequently translated into English. It examines the role of various institutional agents and agencies—publishers, preface writers, critics, translators, and literary award committees—involved in the value-making process that accrues visibility to these texts that eventually reach the Anglo-American book market. The author evinces that over time different types of publishers dominated, both within the original publishing space as in ...
Anonymous Life
Romanticism is often synonymous with models of identity and action that privilege individual empowerment and emotional autonomy. In the last two decades, these models have been the focus of critiques of Romanticism's purported self-absorption and alienation from politics. While such critiques have proven useful, they often draw attention to the conceptual or material tensions of romantic subjectivity while accepting a conspicuous, autonomous subject as a given, thus failing to appreciate the possibility that Romanticism sustains an alternative model of being, one anonymous and dispossessed, one whose authority is irreducible to that of an easily recognizable, psychologized persona. In Anonymous Life, Khalip goes against the grain of these dominant critical stances by examining anonymity as a model of being that is provocative for writers of the era because it resists the Enlightenment emphasis on transparency and self-disclosure. He explores how romantic subjectivity, even as it negotiates with others in the social sphere, frequently rejects the demands of self-assertion and fails to prove its authenticity and coherence.
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War, Revolution and Remembrance in World Cinema
Two World Wars engulfed Europe, Asia and the United States, leaving indelible scars on the landscape and survivors. The trauma of civil wars in Spain (declared) and Latin America (tacit) spanned decades yet, contradictorily, bind parties together even today. Civil wars still haunt Africa where, in more recent years, ethnic cleansing has led to wholesale genocide. Drawing on the emerging field of Memory Studies, this book examines narrative and documentary films, made far from Hollywood, that address memory--both traumatic and nostalgic--surrounding these conflicts, despite attempts by special interests to erase or manipulate history.
Ethics and Aesthetics in Contemporary African Cinema
Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of s...
