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Dancing Fear and Desire
Throughout centuries of European colonial domination, the bodies of Middle Eastern dancers, male and female, move sumptuously and seductively across the pages of Western travel journals, evoking desire and derision, admiration and disdain, allure and revulsion. This profound ambivalence forms the axis of an investigation into Middle Eastern dance—an investigation that extends to contemporary belly dance. Stavros Stavrou Karayanni, through historical investigation, theoretical analysis, and personal reflection, explores how Middle Eastern dance actively engages race, sex, and national identity. Close readings of colonial travel narratives, an examination of Oscar Wilde’s Salome, and analyses of treatises about Greek dance, reveal the intricate ways in which this controversial dance has been shaped by Eurocentric models that define and control identity performance.
Choreographic Politics
The first in-depth analysis of state-sponsored, professional dance ensembles.
Choreographing Identities
Throughout its history, the United States has become a new home for thousands of immigrants, all of whom have brought their own traditions and expressions of ethnicity. Not least among these customs are folk dances, which over time have become visual representations of cultural identity. Naturally, however, these dances have not existed in a vacuum. They have changed--in part as a response to ever-changing social identities, and in part as a reaction to deliberate manipulations by those within as well as outside of a particular culture. Compiled in great part from the author's own personal dance experience, this volume looks at how various cultures use dance as a visual representation of the...
Poets & Writers
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From Another Place
Various perspectives on class, gender, ethnicity and identity are interwoven throughout the discussion of the experiences of work, health and state intervention in the lives of non-English speakers in Australia, particularly Greek-Australians, throughout much of the twentieth century. --
Laographia
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Happiness - Life's important moment
Pietro Gaietto, archaeologist, artist and essayist, recalled that happiness is repeated many times in people's lives. In his youth, happiness was a consequence of his important discoveries of bifacial anthropomorphic lithic sculpture of the ancient Stone Age (Paleolithic). In another period he found happiness exploring new styles of shapes and colors in his activity as an artist. On other occasions happiness came from making new friends.
Viltis
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Attractive Performances
This book is not another history of the dance in ancient Greece, but wants to lay the groundwork on which such a history should properly be build. The three preliminary studies offered here are, first, an extensive historiography of the subject which seeks to illuminate where we stand at present in reference to the large amount of work done on ancient Greek dance for the past 500 years. Secondly, an exercise in source criticism, embracing both texts and imagery, in order to establish the limits to which we can push any investigation, and thirdly, an attempt at model building to provide an explicit theoretical framework for future research. This is the first time that some of the approaches of the new dance scholarship which has arisen during the past few decades have been systematically applied to the dancing of the ancient world.
