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In the exclusionary world of high modern architecture, it is curious to discover that two icons of the movement both admired the work of Sir Edwin Lutyens - an architect who had little or no interest in modernism. Le Corbusier and Frank Lloyd Wright created buildings that are very different, and the two men did not even like each other, but they shared a fascination for Lutyens' distinctively non-international style architecture. This polemical text is an account of why this occured. By exposing common aesthetic and structural themes in the architecture of these three giants, including the cities of New Delhi and Chandigahr, in India, the author explains why Wright and Le Corbusier may have had more in common with Lutyens than with many of their modern peers. The primary text in the book was written in 1967 and was published in a student journal in the U.S. with a small circulation. It has remained an underground classic since then - perhaps because its contents are so disruptive of our current views of 20th century modernism.
For forty years (1880–1920), the now-legendary architectural firm led by Charles Follen McKim, William Rutherford Mead and Stanford White was responsible for many of the finest buildings in America. The Boston Public Library, Pennsylvania Station in New York, and the campus of Columbia University are among the national landmarks designed by these men and their partners, Bert Fenner and William Mitchell Kendall. This anthology of plans, elevations, and details of major works of McKim, Mead, and White is an invaluable reference source and inspiration for the student of architecture. As Allan Greenberg writes in his introduction: “The legacy of [McKim, Mead, and White] is so vast that . . ....
Centered on his intriguing synthesis of the American republic's architectural and democratic traditions, Allan Greenberg's essay moves across geography and through history as the renowned architect and scholar makes the case that America's architectural tradition and political ideals are deeply connected.At the core of the American democratic architectural tradition is the modest, single-family house, which gave rise to the statehouse, the courthouse, the firehouse, the schoolhouse, the jailhouse, and the President's house (as it was known before it became the White House).Generously illustrated and skillfully written, Architecture of Democracy traces a common line from the earliest colonial settlements to the Western frontier of the nineteenth century and today's ultramodern city centers. The volume will imbue in its readers a newfound appreciation for the democratic ideals that American architecture strives to express and uphold.
Features the work of one of the most influential architects of the new Classical movement in the United States and Europe.
Former CEO of Bear Stearns, Alan Greenberg, sheds light on his life as one of Wall Street’s most respected figures in this candid and fascinating account of a storied career and its stunning conclusion. On March 16, 2008, Alan Greenberg, former CEO and current chairman of the executive committee of Bear Stearns, found himself in the company’s offices on a Sunday. More remarkable by far than the fact that he was in the office on a Sunday is what he was doing: participating in a meeting of the board of directors to discuss selling the company he had worked decades to build for a fraction of what it had been worth as little as ten days earlier. In less than a week the value of Bear Stearns ...
When he assumed the position of Chairman of the Board of Bear Stearns in 1978, Alan C. Greenberg found himself with the unenviable task of meeting —and surpassing —the rigorous leadership standards set by his legendary predecessor, Cy Lewis, "the man who was credited with having made Bear Stearns what it then was." For nearly two decades now, "Ace" Greenberg, as he is affectionately known, has kept Bear Stearns on top through a unique and provocative business management philosophy —a philosophy that he frequently and effectively communicates to employees through a series of no-holds-barred company memos. Now, the inimitable Greenberg style sparks a priceless collection of his most insp...
-A lavish and beautifully illustrated sourcebook of classically inspired architectural detail -A valuable resource for architects, interior designers, builders and home decorators -Featuring a foreword by renowned interior designer David Easton -Highlights projects by US architects including Marc Ferguson & Oscar Shamamian, Peter Pennoyer, Quinlan Terry and Gil Schafer. Features a foreword by David Easton, arguably America's most respected decorator. Contributors also include historians Jeremy Musson and David Watkin. In The Art of Classical Details, classically trained architect Phillip Dodd takes a close-up look at some of the finest examples of neo-classical architecture in the world today. Covering the fundamentals of classical architecture, such as Tuscan, Doric, Ionic, Corinthian, and Composite columns, and featuring the work of skilled contemporary classicists, including Julian Bicknell and Ken Tate, The Art of Classical Details is the definitive guide to today's world of neoclassical architectural detailing.
A bestselling author offers a highly entertaining and insightful look at the meaning and importance of style to architecture. This is a book brimming with sharp observations as it shows the connection between architecture, interior decoration, and fashion. 10 line illustrations.
A comprehensive overview of current trends in classicist and vernacular architecture. This book presents 130 projects that reconsider what it means to practice as a traditional architect in the twenty-first century, including a substantial body of work from non-Western countries as well as work by contemporary masters of classical design such as Robert A. M. Stern, Allan Greenberg, Andrés Duany and Elizabeth Plater-Zyberk, and Quinlan and Francis Terry. The projects assembled here highlight the awareness of a sustainable localism and the continuity of traditional building crafts on a global scale and reveal the resilience and originality of traditional building cultures despite the enormous economic and cultural pressures of contemporary development. This is an optimistic vision of a new breed of traditional architects who endeavor to enrich the future while honoring the past.
The building of a nation.