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Nothing But Deception
Some risks simply beg to be taken... Beatrice, Lady Pullingham, knows the type of captivating beauty who inspires great art--or at least, she thinks she does, until Paris' most exciting young painter invites her to pose for him. Incredulous, Bea nonetheless has the sense to accept Philippe's invitation, and in so doing, signs on for lessons in seduction that give her the courage to embark on the adventure of a lifetime... Secrets. Jean-Philippe Durand has had enough of them. First, his mother's deathbed revelation--the one that brought him to England in search of his true father. And now, the secrets kept by the Englishwoman who has become his muse. Philippe wants more than just to paint Beatrice, he wants to show her every pleasure society has denied her--and she's denied herself. But there's something Beatrice isn't telling him, and his art only allows for truth...
The Subversion of Romance in the Novels of Barbara Pym
Points out how British novelist Pym (1913-80) parodied the conventions of romance novels by deflating characters, hyperbole, and exaggeration, or emphasizing meticulously the mundane elements of everyday life. Shows how she used food, clothes, heroin and hero characterizations, and marriage customs to portray her characters,' and perhaps her own, skepticism about the whole business. Paper edition (764-0), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR
Nothing But Scandal
It all starts with an innocent proposition When her father dies, leaving her penniless and without prospects, Elizabeth Medford is faced with a horrible future: marriage to the utterly vile Harold Wetherby. Her family thinks he's a brilliant choice, but Elizabeth has witnessed Wetherby's cruel nature and knows a life with him would be a miserable one. If only he didn't want to marry her. . .but for that to be the case, she would have to have a damaged reputation, and despite her father's missteps, Elizabeth's own name is pristine among society. So far. . . But innocence is in the eye of the beholder A brilliant plan is hatched: Elizabeth will organize her own ruin and escape the betrothal, leaving her old life behind. The only hitch is the man she hopes will do the ruining--the irresistible Alex Bainbridge, Duke of Beaufort. But he has secrets of his own that make Elizabeth Medford a woman he should avoid at all costs--for both their sakes. He insists he will have no part in her crazy scheme. . .no matter how tempting she may be. . .
The Chapter
Finalist for the National Book Critics Circle Award in Criticism Shortlisted for the Christian Gauss Award, Phi Beta Kappa Society A history of the chapter from its origins in antiquity to today Why do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of mediev...
A Grain of Faith
This volume explores how religion influenced the works of mid-century writers and how authors used Christian ideas for social and political ends in the 1940s and 1950s.
The Reality behind Barbara Pym's Excellent Women
This book analyses Barbara Pym’s published and unpublished work through a new image, that of the troublesome woman. It details the political nature of her work, highlighting her feminist ideas which are hidden in village-like settings and revealed by troublesome women. By exploring Pym’s written work, published, and unpublished, diaries and notebooks, the book shows that this material gives credence to Hilary Pym’s interpretation of her sister as a complex person.
Culture Writing
Culture Writing argues that the period of decolonization witnessed dynamic exchanges between writers and anthropologists on both sides of the Atlantic. Watson analyzes writers who engaged professionally with anthropology--Barbara Pym, Ursula Le Guin, Saul Bellow, Édouard Glissant-and anthropologists who adopted literary forms--Laura Bohannan, Michel Leiris, and Claude Lévi-Strauss.
Barbara Pym
Encourages the teaching of Pym's novels and assists scholars in the critical study of Pym's contribution to English literature.
Excellent Women
INTRODUCED BY ALEXANDER McCALL SMITH 'I'm a huge fan of Barbara Pym' RICHARD OSMAN Mildred Lathbury is one of those excellent women who are often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations or even the great moments of life - birth, marriage, death, the successful jumble sale, the garden fête spoilt by bad weather'. Her glamorous new neighbours, the Napiers, seem to be facing a marital crisis. One cannot take sides in these matters, though it is tricky, especially as Mildred has a soft spot for dashing young Rockingham Napier. This is Barbara Pym's world at its funniest and most touching. 'One of the most endearingly amusing English novels of the twentieth century' ALEXANDER MCCALL SMITH 'Barbara Pym is the rarest of treasures; she reminds us of the heartbreaking silliness of everyday life' ANNE TYLER 'Not only was Pym a comic genius but she was ever so wise' THE TIMES
The Making of Barbara Pym
The Making of Barbara Pym offers new insights into Pym’s formative years as a writer, during which she honed a complex view of the necessity of change on individual and cultural levels. Supported by newly published archival material, this comprehensive study of Pym’s early work explores her personal and fictional pre-war and wartime writing, including unpublished and posthumously published works, before looking closely at Some Tame Gazelle and Excellent Women, published during Britain’s post-war austerity period. Of central importance is a new recognition of Pym’s use of social roles, particularly those of women, as proper avenues for change. The book traces how Pym came to devise characters whose individual development can be seen as analogous to or representative of larger cultural movements. Pym uses the spinster figure to embody the forward-looking cultural perspectives that she endorsed and then, finally, in Jane and Prudence, to figure the end of Britain’s austerity period.
