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Plastic
How the autobiography of plastic became the autobiography of all of us
Green-Wood
A cultural biography of Brooklyn's Green-Wood Cemetery, and a cry of mourning for a post-9/11 world of perpetual war and environmental violence
After We All Died
Poetry. Ecopoetics. In AFTER WE ALL DIED, poet Allison Cobb examines modes of crisis not from the point of recognizing they are impending or even inevitable, but from the realization one's entire reality--on the scale of the individual, the cultural, the ecological--has been an eventuality constructed within the crosshairs of history. Combining various iterations of the anxiousness common to life in late-capitalist America with the claustrophobic awareness of Earth's biopolitical fate, the book copes with calamity through mourning, placing at its conceptual and emotional center the question when did everything die? Rather than claiming to have an answer, or providing an insufficient one, this inquiry is suspended, mid-air, so that readers might reconsider the circumstances under which such a question must be articulated: not because an answer will save us, but because acknowledging it as unanswerable begins the process of understanding one's grief. Poet Allison Cobb's new book AFTER WE ALL DIED (Ahsahta Press) is thrilling--inventive, visionary, hard-thought, and impossible to put down...Five shining stars and highly recommended.--Carolyn Forché
God Hates Fags
In this book, the author maintains that religious discourses have curiously figured as some of the most potent and pervasive forms of queer expression and activism throughout the twentieth century. He focuses on how queers have assumed religious rhetoric strategically to respond to the violence done against them.
The Fight for Climate After COVID-19
"The Fight for Climate after COVID-19 draws on the troubled and uneven COVID-19 experience to illustrate the critical need to ramp up resilience rapidly and effectively on a global scale. After years of working alongside public health and resilience experts crafting policy to build both pandemic and climate change preparedness, Alice C. Hill exposes parallels between the underutilized measures that governments should have taken to contain the spread of COVID-19 -- such as early action, cross-border planning, and bolstering emergency preparation -- and the steps leaders can take now to mitigate the impacts of climate change. Through practical analyses of current policy and thoughtful guidance for successful climate adaptation, The Fight for Climate after COVID-19 reveals that, just as our society has transformed itself to meet the challenge of coronavirus, so too will we need to adapt our thinking and our policies to combat the ever-increasing threat of climate change." --
The Climate Coup
Inaction by governments in the face of climate change is often attributed to a lack of political will or a denial of the seriousness of the situation, but as Mark Alizart argues in this provocative book, we shouldn’t exclude the possibility that part of the reluctance might be motivated by cynicism and even sheer evil: for some people, there are real financial and political benefits to be gained from the chaos that will ensue from environmental disaster. The climate crisis creates its winners – individuals who orchestrate environmental chaos and bet on the collapse of the world as they bet on declining share values. In the face of this veritable ‘carbofascist’ coup targeting humanity, modifying our behaviour as individuals won’t suffice. We must train our critical attention on those financial and political actors who speculate on catastrophe and, in the light of this, we must rethink the strategy of ecological activism. This is a war to win, not a crisis to overcome.
The Truant Lover
Juliet Patterson's first collection of poems, The Truant Lover, selected by Jean Valentine, is a pastiche of American voices, a well of poems with passages that hint and nod at past poets while remaining wholly their own.
Birds
This book was first published in 1972 by the Graphic Arts Workshop of the Portland Museum of Art School in Oregon, as a limited edition of 200 copies. On the right-hand side pages Benton ingeniously portrays the essence of one type of bird, simply by arranging the letters of the bird's name. Its simplicity is breathtaking--and flocks of fun!William Benton received his early training in music and worked as a jazz musician before becoming a writer. His seven books of poetry include Marmalade, Normal Meanings, and The Bell Poems. His poetry has also been published in The New Yorker and The Paris Review.
A Feeling Called Heaven
A guided meditation on human extinction that imagines a post-apocalyptic Earth thriving without us.
Wifthing
Poetry. Women's Studies. "Pattie McCarthy's meticulously researched wifthing sequence traverses history's gaps and silences throughout the medieval English vocabularies she has always been drawn to. Beginning with the fourteenth century English mystic Margery Kempe who wrote through spirit dictation, WIFTHING scours vows of chastity, devotions, pregnant queens, cross-dressing heretics, goodwives, births, daugherthings, boychiks, court records, kaleidoscopic New England witchcraft testimonies. McCarthy's ear is sharp, her eye, demanding and disciplined. Eighty unpunctuated sonnets, both austere and rebellious, are carefully arranged on each page as verbal grid maps through pre- and postmodernity. Small things, various hagiographies, fabric [Latin textus], piecework syntax, 'The goodwyf will call you back.' Through threads and threats of mothering history the intercession of love pardoned and restored with fury and reverence." --Susan Howe
