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Plastic
How the autobiography of plastic became the autobiography of all of us
After We All Died
Poetry. Ecopoetics. In AFTER WE ALL DIED, poet Allison Cobb examines modes of crisis not from the point of recognizing they are impending or even inevitable, but from the realization one's entire reality--on the scale of the individual, the cultural, the ecological--has been an eventuality constructed within the crosshairs of history. Combining various iterations of the anxiousness common to life in late-capitalist America with the claustrophobic awareness of Earth's biopolitical fate, the book copes with calamity through mourning, placing at its conceptual and emotional center the question when did everything die? Rather than claiming to have an answer, or providing an insufficient one, this inquiry is suspended, mid-air, so that readers might reconsider the circumstances under which such a question must be articulated: not because an answer will save us, but because acknowledging it as unanswerable begins the process of understanding one's grief. Poet Allison Cobb's new book AFTER WE ALL DIED (Ahsahta Press) is thrilling--inventive, visionary, hard-thought, and impossible to put down...Five shining stars and highly recommended.--Carolyn Forché
Green-Wood
A cultural biography of Brooklyn's Green-Wood Cemetery, and a cry of mourning for a post-9/11 world of perpetual war and environmental violence
God Hates Fags
In this book, the author maintains that religious discourses have curiously figured as some of the most potent and pervasive forms of queer expression and activism throughout the twentieth century. He focuses on how queers have assumed religious rhetoric strategically to respond to the violence done against them.
The Fight for Climate After COVID-19
"The Fight for Climate after COVID-19 draws on the troubled and uneven COVID-19 experience to illustrate the critical need to ramp up resilience rapidly and effectively on a global scale. After years of working alongside public health and resilience experts crafting policy to build both pandemic and climate change preparedness, Alice C. Hill exposes parallels between the underutilized measures that governments should have taken to contain the spread of COVID-19 -- such as early action, cross-border planning, and bolstering emergency preparation -- and the steps leaders can take now to mitigate the impacts of climate change. Through practical analyses of current policy and thoughtful guidance for successful climate adaptation, The Fight for Climate after COVID-19 reveals that, just as our society has transformed itself to meet the challenge of coronavirus, so too will we need to adapt our thinking and our policies to combat the ever-increasing threat of climate change." --
The Climate Coup
Inaction by governments in the face of climate change is often attributed to a lack of political will or a denial of the seriousness of the situation, but as Mark Alizart argues in this provocative book, we shouldn’t exclude the possibility that part of the reluctance might be motivated by cynicism and even sheer evil: for some people, there are real financial and political benefits to be gained from the chaos that will ensue from environmental disaster. The climate crisis creates its winners – individuals who orchestrate environmental chaos and bet on the collapse of the world as they bet on declining share values. In the face of this veritable ‘carbofascist’ coup targeting humanity, modifying our behaviour as individuals won’t suffice. We must train our critical attention on those financial and political actors who speculate on catastrophe and, in the light of this, we must rethink the strategy of ecological activism. This is a war to win, not a crisis to overcome.
Hello Friend!
A beautifully illustrated, wittily observed picture book about kindness, empathy and friendship from the award-winning Rebecca Cobb. Hello Friend! tells the story of one big-hearted and enthusiastic little girl who is insistent on making friends with a certain little boy. And why wouldn't he want to be friends with her? She's very good at sharing – even if it's a sandwich that he doesn't like. And she's certain that playing outside is their favourite thing to do, even if he is not so sure. But while he doesn't seem keen on many of the things that she loves to do, there is one thing he's very keen on after all . . . being friends. Also available from Rebecca Cobb: Lunchtime, Aunt Amelia and The Something.
Hatred of Translation
A book of essays on dynamic, transgressive 20th century figures and the necessity and perils of translating their work.Hatred of Translation thinks through translation with an emphasis on its disaggregation. These pieces address, sometimes obliquely, often with effrontery, the works of René Char, Hervé Guibert, Hilda Hilst, Danielle Collobert, Frankétienne, Mizoguchi Kenji, Ingeborg Bachmann, Kobayashi Masaki, and Marguerite Duras. Resolutely resistant to anything resembling a theory of a thing, these pieces provoke a persistent commitment to thinking in the place of theorizing. Where the French pensée means both of aphoristic thought and of the pansy, Hatred of Translation seeks a garden in the midst of body such as it is occupied by language.
Irredenta
A sequence of poems that interrogates American civics and citizenry from its foundation in the pastoral tradition. In Irredenta, Oscar Oswald raises the prospect of pastoral opposition to state power, elaborating and investigating the genre through ethical and spiritual inquiry. As a citizen is a stranger to itself, so too does Oswald's pastoral speaker define the tensions between identity and nationality inherent in a civic body as they are traversed across the American political geography: land, water, and country, from the Mojave to Wisconsin.
Suelo Tide Cement
Winner of the 2017 Nightboat Prize for Poetry
