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Arte americano
Papers presented during the 3rd Meeting of Art History celebrated in Valparaiso in 2006 and where for the first time Pre-Columbian art was included as one of the main categories. The central topic of this edition was dedicated to the spectator and the perception of art with papers centered in the analysis of morphological and iconographic elements to reconstruct how artwork was perceived in the past and the multiple views of the present. Presentations are divided into the follwing catelgories: Arte Precolombino; Arte Virreinal; Arte en el siglo XIX; arte contemporáneo.
Handbook of Latin American Studies, Vol. 76
Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research underway in specialized areas.
Rubens in Repeat
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity. Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to ...
Beauty, Devotion and Spirituality
There is scant research on the art produced under the Congregation of the Oratory of Saint Philip Neri, with the exception of a couple of general books focused primarily on major Oratorian art pieces. Therefore, this book of essays aims to discuss the art and culture produced by or associated with the Oratorians by providing a broad overview focused especially on rarely investigated issues. The authors focus on this very important artistic production, commonly forgotten when compared with other religious productions of art, by covering geographical areas spanning from Sri Lanka to Mexico, including Italy, Spain, the United Kingdom, India and Brazil.
The Bourbon Reforms and the Remaking of Spanish Frontier Missions
The Bourbon monarchs who ascended the Spanish throne in 1700 attempted to reform the colonial system they had inherited, and, in particular, to make administration more efficient and cost-effective. This book analyses one aspect of the Bourbon reforms, which was the efforts to transform frontier missions, to make the missions more cost-effective, and to accelerate the integration of indigenous peoples in northern Mexico to European cultural norms. In some instances, the Crown had funded missions for more than a century, but with minimal results. The book attempts to show how the mission programs changed, and what the consequences – especially demographic – were for the indigenous peoples brought to live on the missions.
The Art of Professing in Bourbon Mexico
"Offering a pioneering interpretation of the "crowned nun" portrait, this book explores how visual culture contributed to local identity formation in Mexico"--
Sor Juana Inés de la Cruz: Selected Works (First International Student Edition) (Norton Critical Editions)
A wealth of background and analytical material makes Sor Juana's proto-feminist writings, newly translated, all the more compelling. 2014 PEN USA Literary Award for Translation Finalist This Norton Critical Edition includes: · Edith Grossman’s acclaimed translations of the Tenth Muse’s best-known works. · Introductory materials and explanatory footnotes by Anna More along with numerous images. · Additional works by Sor Juana, related writings by Ovid, Saint Teresa of Ávila, and Diego Calleja, and historical interpretations. · Seven critical essays by Marcelino Menéndez y Pelayo, Irving Leonard, Octavio Paz, Georgina Sabat de Rivers, Yolanda Martinez-San Miguel, Emilie Bergmann, and Charlene Villasenor Black. · Diana Taylor’s interview with Jesusa Rodríguez about performing “First Dream.” · A Chronology and Selected Bibliography.
The Jesuits in Spanish America in 1767
On June 25, 1767, royal officials in all Spanish territories, including the Americas, began the process of expelling the members of the Society of Jesus. At the time there were some 2,200-2,400 Jesuits in Spanish America, and they staffed urban colegios and frontier missions. This book provides an overview of Jesuit institutions at the time of the expulsion order, their urban role, and the status of frontier missions focusing on the case study of several issues related to the Missions among the Guaraní in South America. This volume contains a visual catalog of historic maps, and historic and contemporary images of selected Jesuit colegios and other urban institutions.
Aurora
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A Visual Catalog of Jesuit Missions in Spanish America
From the late sixteenth century until their expulsion in 1767, the Society of Jesus (Jesuits) played a pivotal role in the life of Spanish America. They educated the urban population, tended to the spiritual needs of city folk, conducted “popular missions” to correct doctrinal issues with the urban and rural populations, and administered missions among the indigenous populations on the frontiers. Jesuit missions stretched from northern Mexico to Patagonia in South America, and left a considerable historical and architectural heritage and patrimony. This volume outlines the historical development of Jesuit missions located in northern Mexico and South America, and illustrates the architectural heritage they left behind.
