Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Another Kind of Life
Filled with compelling images from revered photographers of the past and present, this book sheds light on marginalized communities who have traditionally shied away from the camera. At a time when individual rights are being contested and when those on the fringes of society feel deeply threatened, this powerful photographic compilation delivers a message of humanity and inclusiveness that transcends geopolitical and cultural boundaries. Works by critically acclaimed photographers including Bruce Davidson, Paz Errazuriz, Jim Goldberg, Danny Lyon, Mary Ellen Mark, Boris Mikhailov, Daido Moriyama, and Dayanita Singh cast a compassionate, unflinching eye on the worlds inhabited by transsexuals...
Strange and Familiar
Twenty-three photographers from countries around the world offer their own perspectives on British society. British photographer Martin Parr has selected works, dating from the 1930s to today, that capture the social, cultural, and political identity of the UK through the camera lens. These images range from social documentary and street photography to portraiture and architectural photography and offer a reflection of how Britain is perceived by those outside its borders.
Masculinities
Examining increasingly fluid notions of masculinity over the past six decades, this book offers a culturally diverse collection of work from some of the world's most celebrated photographers. This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Othe...
Dorothea Lange
"Dorothea Lange was one of the most important and influential photographers of the twentieth century. A pioneering social documentarian, she was a prominent advocate of the power of photography to effect change, using her camera as a political tool to explose what she saw as society's cruel injustices and inequalities. Featuring over two hundred images, this publication brings together the most signficant bodies of work she created throughout her life, from early portraiture and social realist work made during the Great Depression in the 1930s, to photographs of the internment of Japanese American citizens during the Second World War and the changing physical and social landscape of her beloved West Coast in the 1940s and '50s. With newly commissioned essays by David Campany, Drew Heath Johnson and Abigail Solomon-Godeau, as well as an extensive illustrated chronology and rare archival material, much of which is reproduced for the first time, this book provides a comprehensive overview of Lange's life and work
Eddie Peake: The Forever Loop
Engaging with sexuality, self-representation and language, Eddie Peake's latest installation is a participatory spectacle that posits the body as a sculptural and sexual object.Accompanying the artist's exhibition at the Curve, Barbican, London (9 October 2015 - 10 January 2016), this volume examines the playful web of performance, sculpture, video and painting that Peake has specifically created for the space.Incorporating a raised walkway as a stage for performers to carry out a looped choreography of dance movements, the installation also features numerous video works and sculptures that together convey a narrative of voyeuristic desire.Alongside installation views, related work and an interview with the artist by Alona Pardo, an essay by Omar Kholeif explores the broad set of allusions embedded within Peake's work, from the classical nude to popular culture and underground music.Published by Ridinghouse and Barbican Art Gallery, London.
Modern Forms
This revised edition of Grospierre’s celebrated tour of modernist architecture has been expanded beyond Europe and North America to a truly global reach, featuring buildings in Southeast Asia, Australia, Africa and South America. Featuring new and revised texts from Barbican, MoMA and independent curators, this book offers intriguing insights into the history of modernist design, the origins of architectural photography and the reasons why architectural forms repeat in otherwise dissimilar countries. Is form still function? How “modern” is modernist architecture? And what has happened to the style’s foundational utopian ideals? Nicolas Grospierre’s masterful photographic survey cat...
Queer Methodology for Photography
This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy. With different examples of conceptual perspectives, including representation, formalism, and mediumlessness, it seeks to diversify queer methodology for photography. While primarily addressing photography, this book is entwined with broader philosophical questions concerning identity, difference, and the creations of systems of thought that limit the possibilities of existence to binary categorisation. It proposes a new concept of the photographic image that addresses its materiality, in the form of the poetic and the political, in relationship to a generative principle that is named as a queer quality: the photograph’s ability to voice queer concerns also beyond its role as representation. This book will be of interest to scholars working in photography, art history, queer studies, new materialism, and posthumanism.
Colour After Klein
Published to accompany the exhibition held at the Barbican Art Gallery, London, 26 May - 11 September 2005.
Displacements
This book is about the aesthetics and politics of contemporary artists’ moving image installations, and the ways that they use temporal and spatial relationships in the gallery to connect with geopolitical issues. Displaced from the cinema, moving images increasingly address themes of movement and change in the world today. Digital technology has facilitated an explosion of work of this kind, and the expansion of contemporary art museums, biennales and large-scale exhibitions all over the world has created venues and audiences for it. Despite its 20th century precursors, this is a new and distinct artistic form, with an emerging body of thematic concerns and aesthetics strategies. Through detailed analysis of a range of important 21st century works, the book explores how this spatio-temporal form has been used to address major issues of our time, including post-colonialism, migration and conflict. Paying close attention to the ways in which moving images interact with the specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works.
