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"A provocative, inspiring and challenging intervention in both journalism and media studies.... Alternative Journalism is that rare book that services students as much as scholars. It widens the trajectory of media studies and creates different modes of reading, writing and thinking... It offers an alternative history beyond the tales of great men, great newspapers, great editors and great technologies. It adds value and content to overused and ambiguous words such as "community" and "citizenship" and captures the spark of new information environments." - THE, (Times Higher Education) Alternative Journalism investigates and analyses the diverse forms and genres of journalism that have arisen...
What are `alternative media′? Are they the same as underground, radical or oppositional media? In this book, Chris Atton offers a fresh introduction to alternative media: one which is not limited to `radical′ media, but can also account for newer cultural forms such as zines, fanzines, and personal websites. Alternative Media: · Examines how and why people produce and use alternative media - to make meaning, to interpret, and to change the world in which they live · Encompasses a wide range of alternative media and draws on examples from both the United States and United Kingdom · Locates contemporary alternative media in their cultural, historical and political contexts Alternative Media provides a timely corrective to media theorizing which focuses almost exclusively on the output of the media conglomerates. As such it will be an essential purchase for all students and researchers with an interest in the true nature of the contemporary media environment.
Taking its collective name from the wartime "underground press" of Europe's anti-Nazi resistance, the publications examined here were all members of the Underground Press Syndicate (later renamed the Alternative Press Syndicate), founded in 1967 so that member papers could freely share and reprint material. This utopian model resulted in an explosion of alternative publications worldwide as every small start-up had access to the work of soon-to-be famous writers, journalists, artists, and graphic designers. Among the notable figures whose work has appeared in these pages are Hunter S. Thompson, T. Coraghessan Boyle, Ken Kesey, R. Crumb, Art Spiegelman—to name only a few. The underground pr...
What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
Resisting the News brings together unique insights from activists and alternative-media users to offer a distinctive perspective on the problems of journalism today—and how to fix them. Using critical-cultural theory and, in particular, the conceptual frameworks of ritual communication and interpretive communities, this book examines how audiences filter their interpretations of mainstream news through the prisms of their identities and experiences with alternative media and political protest. Jennifer Rauch gives voice to alternative-media audiences and illuminates the cultural resources, values, assumptions, critical skills, and discursive strategies through which they make sense of thei...
This book offers an overview of global alternative media activity, before moving on to provide information about alternative media production and how to get involved in it.
Collection of essays on the South African alternative press from the 1880s to the 1960s.