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Alvaro Siza gilt als einer der wichtigsten portugiesischen Architekten des 20.Jahrhunderts. 1992 erhielt er für sein Lebenswerk den Pritzker-Preis. Die Ausstellung in dem von Alvaro Siza gemeinsam mit Rudolf Finsterwalder errichteten Architekturmuseum auf der Museumsinsel Hombroich zeigt die Denk- und Arbeitsweise Sizas in bisher wenig bekannte Skizzen, Modellen und Fotografien. Der begleitende Katalog ist einfach, aber bibliophil gestaltet und offeriert Kennern neue Einblicke in Sizas Werk.
This book presents an original study of the work of Pritzker Prize-winning Portuguese architect Álvaro Siza from the perspective of architecture as an interpretation of human life. It combines philosophical hermeneutics, narrative textual description, and history and theory research to provide a rich account of Siza’s work. The book gives a detailed analysis of three of Siza’s works from this perspective: the Tidal Pool (Piscina das Marés) in Leça da Palmeira, Portugal; the Galician Centre of Contemporary Art (Centro Galego de Arte Contemporánea) in Santiago de Compostela, Spain; and the Santa Maria Church in Marco de Canaveses, Portugal. This form of analysis provides insight into t...
Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites...
Exploring different, interrelated roles for the architect and researcher The practice of architecture manifests in myriad forms and engagements. Overcoming false divides, this volume frames the fertile relationship between the cultural and scholarly production of academia and the process of designing and building in the material world. It proposes the concept of the hybrid practitioner, who bridges the gap between academia and practice by considering how different aspects of architectural practice, theory, and history intersect, opening up a fascinating array of possibilities for an active engagement with the present. The book explores different, interrelated roles for practicing architects ...
The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display. In a selection of essays, fourteen distinguished scholars explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks.
Contemporary Art and Multicultural Education is the first book of its kind to address the role of art within today's multicultural education. Co-published with The New Museum of Contemporary Art , this beautifully illustrated book is a practical resources for art educators and students. Co-published with the New Museum of Contemporary Art.
At the pinnacle of his profession and powers, Christian de Portzamparc is a shining star in the firmament of high design. Pritzker Prize–winning architect Christian de Portzamparc is renowned for bold yet artful architecture that is at once sensitive to its context while at the same time being novel, adventurous, and frequently exciting. One57, the soaring residential skyscraper in New York, with unparalleled views of Central Park, is perhaps his most famous building in the United States, but his work ranges widely across the globe, from an extraordinary handkerchief puff–shaped boutique for Christian Dior in Seoul to a low-winged arabesque of a building for the wine producer Cheval Blanc to a mysterious temple of the modern for Casarts in Casablanca. This volume, the first major comprehensive book on Portzamparc’s work in more than three decades, is a revelation and a comprehensive survey of the work of one of the world’s most innovative and exciting architects at the height of his powers.
The history of totalitarian states bears witness to the fact that literature and print media can be manipulated and made into vehicles of mass deception. Censorship and Literature in Fascist Italy is the first comprehensive account of how the Fascists attempted to control Italy's literary production. Guido Bonsaver looks at how the country's major publishing houses and individual authors responded to the new cultural directives imposed by the Fascists. Throughout his study, Bonsaver uses rare and previously unexamined materials to shed light on important episodes in Italy's literary history, such as relationships between the regime and particular publishers, as well as individual cases invol...