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All In It Together
'Turner's seductive blend of political analysis, social reportage and cultural immersion puts him wonderfully at ease with his readers' David Kynaston 'Reading Alwyn Turner's account of life in the first two decades of the 21st century is a bit like trying to recall a dream from three nights ago ... uncannily familiar, but the details are downright implausible ' Kathryn Hughes, Guardian Weaving politics and popular culture into a mesmerising tapestry, historian Alwyn Turner tells the definitive story of the Blair, Brown and Cameron years. Some details may trigger a laugh of recognition (the spectre of bird flu; the electoral machinations of Robert Kilroy-Silk). Others are so surreal you could be forgiven for blocking them out first time around (did Peter Mandelson really enlist a Candomblé witch doctor to curse Gordon Brown's press secretary?). The deepest patterns, however, only reveal themselves at a certain distance. Through the Iraq War and the 2008 crash, the rebirth of light entertainment and the rise of the 'problematic', Turner shows how the crisis in the soul of a nation played out in its daily dramas and nightly distractions.
A Classless Society
"Superb" NICK COHEN, author of What's Left? "Tremendously entertaining" DOMINIC SANDBROOK, Sunday Times "Like his previous histories of the Seventies and Eighties, A Classless Society is an extraordinarily comprehensive work. Turner writes brilliantly, creating a compelling narrative of the decade, weaving contrasting elements together with a natural storyteller’s aplomb… engaging and unique" IRVINE WELSH, Daily Telegraph "Ravenously inquisitive, darkly comical and coolly undeceived... Turner is a master of the telling detail" CRAIG BROWN, Mail on Sunday When Margaret Thatcher was ousted from Downing Street in November 1990 after eleven years of bitter social and economic conflict, many ...
Rejoice! Rejoice!
When Margaret Thatcher became prime minister in 1979 she promised to bring harmony where once there had been discord. But Britain entered the 1980s bitterly divided over its future. At stake were the souls of the great population boom of the 1960s. Would they buy into the free-market, patriotic agenda of Thatcherism? Or the anti-racist, anti-sexist liberalism of the new left? From the miners’ strike, the Falklands War and the spectre of AIDS, to Yes, Minister, championship snooker and Boy George, Rejoice! Rejoice! steps back in time to relive the decade when the Iron Lady sought to remake Britain. What it discovers is a thoroughly foreign country.
Crisis ? What Crisis ?
'A masterful work of social history and cultural commentary, told with much wit. It almost makes you feel as if you were there' ROGER LEWIS, Mail on Sunday The 1970s. They were the best of times and the worst of times. Wealth inequality was at a record low, yet industrial strife was at a record high. These were the glory years of Doctor Who and glam rock, but the darkest days of the Northern Ireland conflict. Beset by strikes, inflation, power cuts and the rise of the far right, the cosy Britain of the post-war consensus was unravelling – in spectacularly lurid style. Fusing high politics and low culture, Crisis? What Crisis? presents a world in which Enoch Powell, Ted Heath and Tony Benn jostle for space with David Bowie, Hilda Ogden and Margo Leadbetter, and reveals why a country exhausted by decline eventually turned to Margaret Thatcher for salvation.
Crisis? What Crisis?
The 1970s. They were the best of times and the worst of times. Wealth inequality was at a record low, yet industrial strife was at a record high. These were the glory years of Doctor Who and glam rock, but the darkest days of the Northern Ireland conflict. Beset by strikes, inflation, power cuts and the rise of the far right, the cosy Britain of the post-war consensus was unravelling – in spectacularly lurid style. Fusing high politics and low culture, Crisis? What Crisis? presents a world in which Enoch Powell, Ted Heath and Tony Benn jostle for space with David Bowie, Hilda Ogden and Margo Leadbetter, and reveals why a country exhausted by decline eventually turned to Margaret Thatcher for salvation.
The Last Post
A history of the military bugle call, its use at the end of World War I on Armistice Day, and its effect in today’s culture. At eleven o’clock on the morning of the 11th November 1919 the entire British Empire came to a halt to remember the dead of the Great War. During that first two-minute silence all transport stayed still, all work ceased and millions stood motionless in the streets. The only human sound to be heard was the desolate weeping of those overcome by grief. Then the moment was brought to an end by the playing of the Last Post. A century on, that lone bugle call remains the most emotionally charged piece of music in public life. In an increasingly secular society, it is the...
Biba
***SPECIAL PRICE down from $64.99 while stocks last*** Biba remains one of the most evocative names in British design history; it pioneered a new style, mixing the contemporary with Art Nouveau, Art Deco and the golden age of Hollywood, dressing itself in the richly luxuriant colours of a bygone time. This book showcases Biba clothing and much of the Biba memorabilia, merchandising and interior design, presenting an entire history of the company. 'Biba: The Biba Experience' centres on commissioned photographs of one of the largest collections of Biba in the world, put together by Pari, who has accumulated around 500 pieces of Biba fashion items and ephemera covering the entire history of the...
Halfway to Paradise
From the emergence of Bill Haley and his Comets to the meteoric rise of the Beatles and the Rolling Stones, Halfway to Paradise is an extraordinary photographic tribute to the forces that invented rock. From the 1950s until the early 1960s, photographer Harry Hammond's camera captured rock 'n' roll's most famous names--The Beatles, Elvis Presley, Buddy Holly, Roy Orbison, Jerry Lee Lewis, the Animals, Dusty Springfield, and many other icons. Now, from the legendary Harry Hammond Archive comes this exciting collection of 250 previously unpublished photographs of British and American musicians. Alwyn W. Turner captures the energy of this explosive period in music history as he tells the story of Britain's embrace--and sometime domination--of rock 'n' roll.
Glam Rock
Drawing on the collections of the V&A, Glam Rock narrates the story of glam and explores its impact on fashion, theatre and film. In the early 1970s, glam rock changed the face of popular culture in Britain and, against a backdrop of a nation racked by economical and social crises, its flamboyancy and theatricality provided an excuse for a party and an escapist dream for musicians and fans alike. British acts like David Bowie, Roxy Music, T. Rex and Mott the Hoople - together with American fellow-travellers including Lou Reed, Alice Cooper and Sparks - drew on the original blueprint of rock and roll, as well as a host of other traditions, from Hollywood to the music hall, Berlin cabaret and Broadway musicals to science fiction and pop art. The resulting music was a wild blend of camp artifice and avant-garde decadence. By 1975 the era had come to an end, but glam never truly went away. Indeed, its attitudes and aesthetics have shaped much that has followed since, from disco to punk, the new romantics to Britpop, Prince to Lady Gaga.
My Generation
Tells the story of the people who provided the soundtrack a momentous time in music history and includes images of the biggest names in rock history - from the Beatles, Rolling Stones and Bob Dylan to Jimi Hendrix, Pink Floyd and David Bowie.
