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"Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a "coloured" cultural organization that performed opera in the Cape. The La Traviata Affair charts Eoan's opera activities from the group's inception in 1933 until the cessation of their productions by 1980. It explores larger questions of complicity, compromise, and compliance; of assimilation, appropriation, and race; and of "European art music" in situations of "non-European" dispossession and disenfranchisement. Performing under the auspices of apartheid, the group's unquestioned acceptance of and commitment to the art of opera could not redeem it from the entanglements that came with the political compromises it made. Uncovering a rich trove of primary source materials, Hilde Roos presents here for the first time the story of one of the premier cultural agencies of apartheid South Africa"--Provided by publisher.
'Engaging … gripping … more than a biography' — Independent (SA) 'Fascinating story of an outsider … excellent' — The Witness (SA) 'Full of facts' — Sunday Times (SA) 'Gorelik has produced a book that gathers together a wealth of information, raising interesting points on many quite contentious issues' — De Arte 'Enthralling … highly recommended' — Historical Novel Society 'This book is highly recommended' — Dimitri Tretchikoff Vladimir Tretchikoff's Chinese Girl is one of the most famous images of all time. Known as the 'Green Lady', it has been reproduced countless times, appearing everywhere from mugs and T-shirts to pop videos and blockbuster films. Tretchikoff lived ...
Professor Chris Brink became the seventh Rector and Vice-Chancellor of Stellenbosch University in January 2002. His five-year term of office was a reflection of difficult and challenging circumstances. Under his leadership, the University entered a new period of transformation affecting particularly the historically Afrikaans universities. This book is a collection of his most important speeches with reactions to it from the media. The book also includes contributions from various colleagues and acquaintances.
ÿ The artist Maggie Laubser no longer needs any introduction. In this publication focussing on her 149 paintings in the art collection of Stellenbosch University, art connoisseurs as well as art lovers are afforded the opportunity to closely follow the evolvement of her truly unique style and to actually share in the life of the person behind the canvas. Muller Ballot tells this story in an exceptional way by unfolding and interpreting her oeuvre within the context of South African as well as European Modernism.ÿ
Nelson Mandela brought the poetry of Ingrid Jonker to the attention of South Africa and the wider world when he read her poem “Die kind” (The Child) at the opening of South Africa’s first democratic parliament on May 24, 1994. Though Jonker was already a significant figure in South African literary circles, Mandela’s reference contributed to a revival of interest in Jonker and her work that continues to this day. Viljoen’s biography illuminates the brief and dramatic life of Jonker, who created a literary oeuvre—as searing in its intensity as it is brief—before taking her own life at the age of thirty-one. Jonker wrote against a background of escalating apartheid laws, violent ...
Finalist for the Alan Paton Award In his latest book, renowned historian Hermann Giliomee challenges the conventional wisdom on the downfall of white rule and the end of apartheid. Instead of impersonal forces, or the resourcefulness of an indomitable resistance movement, he emphasizes the role of Nationalist leaders and of their outspoken critic Frederick van Zyl Slabbert. What motivated each of the last Afrikaner leaders, from Verwoerd to de Klerk? How did each try to reconcile economic growth, white privilege, and security with the demands of an increasingly assertive black leadership and unexpected population figures? In exploring each leader’s background, reasoning, and personal foibl...
Uiters belangrike narratief oor skooltaalvoorkeur het hom tussen 2006 en 2010 in Suid-Afrika afgespeel. Hierdie gebeurtenisse het diep in die Suid-Afrikaanse onderwys- en taalwêreld ingesny, en ook in die buiteland belangstelling gelok. Die koerante het volledig daaroor berig: oor die hofsake, die skoolhoofde, die skole, ouers en die leerders. Maar hoe gemaak as onderwyskundiges, sosiolinguiste, taalbeplanners, taalhistorici en vaklui van aansluitende dissiplines later die punte van hulle vingers op die besonderhede van daardie gebeurtenisse wil lê?
This tell-all memoir reveals the details behind Sunday Times journalist Mzilikazi wa Afrika's exposure of the R1.7 billion lease scandal between police commissioner Bheki Cele and property tycoon Roux Shabangu, for which he was infamously arrested in 2010. It is also the riveting account of how a neglected boy in an unknown village became one of South Africa's most awarded investigative reporters and found himself at the receiving end of the corruption that had defeated those he helped put in power. Fearless in the face of corrupt authorities with sinister political motives, and fervent about justice, Wa Afrika's life was characterised by resistance to oppression and inequality from an early age. Destined to defend and uphold the principles of democracy, his story is the inspiring tale of an ordinary man, armed with a pen, who challenged the proverbial giant.
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