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Kin
In ""Kin: An extraordinary Australian filmmaking family"", artists and filmmakers from all over the world pay tribute to the indomitable Freda Glynn and her family. Freda championed Aboriginal screen storytelling with global impact, helping establish CAAMA and Imparja Television in the 1980s.
Margaret & David
In honour of winning the 2017 Don Dunstan award for their contribution to screen culture in Australia, TV and film personalities alike have written tributes to the much - loved and adored film critics.
Kin
In Kin: An extraordinary Australian filmmaking family, artists and filmmakers from all over the world pay tribute to the indomitable Freda Glynn and her family. Freda championed Aboriginal screen storytelling with global impact, helping establish CAAMA and Imparja Television in the 1980s. Her daughter Erica Glynn and son Warwick Thornton are internationally renowned filmmakers, and her grandchildren Dylan River and Tanith Glynn-Maloney bring a fresh vision to the third generation. 'What I love is that when they stand together as a family we get to see what they have given to our Australian screen industry, their extraordinary impact and legacy.' - Deborah Mailman
Kin
In Kin: An extraordinary Australian filmmaking family, artists and filmmakers from all over the world pay tribute to the indomitable Freda Glynn and her family. Freda championed Aboriginal screen storytelling with global impact, helping establish CAAMA and Imparja Television in the 1980s. Her daughter Erica Glynn and son Warwick Thornton are internationally renowned filmmakers, and her grandchildren Dylan River and Tanith Glynn-Maloney bring a fresh vision to the third generation.
Time Flies Too
Time Flies Too is the sequel to 2021’s beguiling and absorbing memoir Time Flies by Al Clark, who in its last paragraph married and settled in Australia after a Spanish village childhood, a Scottish boarding school education and nearly two decades of living and working in London in the pioneering days of Virgin Records. These new recollections playfully explore his adjustment to life in a new country, the labyrinth involved in making films, the gifted collaborators he encountered along the way, and the work itself — notably one of Australia’s most enduringly successful movies (The Adventures of Priscilla, Queen of the Desert ). It completes the journey of a solitary boy who fell in lov...
Michael Riley
This publication accompanies the National Gallery of Australia's travelling exhibition Michael Riley: sights unseen.
Music at the Borders
Not Drowning, Waving formed in Melbourne in 1983. Over the next decade they became one of Australia's most original rock bands, recording a series of inventive albums and attracting critical acclaim. Music At The Borders provides a detailed history of one remarkable facet of their career, their long-term engagement with the music - and musicians - of Papua New Guinea. Individual chapters analyse the Melbourne music culture from which the band emerged, the musical style they developed; their work with musicians associated with PNG's Pacific Gold Studios; and the band's re-union for the 1996 Sing Sing tour.
Fringe to Famous
Fringe to Famous examines exchange between small scenes of cultural production and mainstream institutions and markets. Drawing on Australian examples in music, streetwear, comedy, screen and digital games, it argues that there has been much greater crossover between the two than is generally recognized. The book resists a tendency to represent fringe and mainstream as abstract opposites, bringing a focus instead to concrete historical formations. It offers an alternative both to romantic celebrations of a 'pure' fringe – discredited now by half a century of critical responses to the counterculture – and to an increasingly hardened anti-romantic reaction. Drawing on extensive original interviews, Fringe to Famous offers an overview of transformations in Australian culture since the 1980s, concluding with suggestions for cultural policy 'after the creative industries'. It proposes an idea of 'generative hybridity' between fringe and mainstream that allows us to imagine new possibilities for arts and culture in the 2020s and beyond.
Time of My Life
We all have a soundtrack to our lives, songs that as soon as we hear them we're transported to a moment in time. As the youngest child, and only girl, in a family of creative types, Myf Warhurst grew up with the music in her. Whether she was watching Daryl Braithwaite on TV on a Sunday night or listening to the crackle of the needle across vinyl as Agnetha and Anni-Frid took her from rural Victoria to Eurovision, music has always shaped Myf's life. Later her love of music (and the realisation that a professional pianist gig wasn't part of the plan) would shape her career. But music isn't just about memories. It's a safe place for people who feel different. Songs and lyrics helped Myf make se...
