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The Victorian Idyll in Art and Literature
  • Language: en
  • Pages: 257

The Victorian Idyll in Art and Literature

  • Categories: Art

Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victoria...

Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence
  • Language: en
  • Pages: 283

Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence

Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.

On Accident
  • Language: en
  • Pages: 407

On Accident

  • Type: Book
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  • Published: 2018-02-02
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  • Publisher: MIT Press

Engaging essays that roam across uncertain territory, in search of sunken forests, unclassifiable islands, inflammable skies, plagiarized tabernacles, and other phenomena missing from architectural history. This collection by “architectural history's most beguiling essayist” (as Reinhold Martin calls the author in the book's foreword) illuminates the unfamiliar, the arcane, the obscure—phenomena largely missing from architectural and landscape history. These essays by Edward Eigen do not walk in a straight line, but roam across uncertain territory, discovering sunken forests, unclassifiable islands, inflammable skies, unvisited shores, plagiarized tabernacles. Taken together, these tex...

Women on Philosophy of Art
  • Language: en
  • Pages: 304

Women on Philosophy of Art

Women on Philosophy of Art is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. O...

The Last Castle
  • Language: en
  • Pages: 400

The Last Castle

"The ... true story behind the ... Gilded Age mansion Biltmore--the largest, grandest residence ever built in the United States"--Amazon.com.

Design by Fire
  • Language: en
  • Pages: 277

Design by Fire

Across the world, the risks of wildfires are increasing and expanding. Due to past and current human actions, we dwell in the age of fire – the Pyrocene – and the many challenges and climate adaptation questions it provokes. Exploring our past and current relationships with fire, this book speculates on the pyro futures yet to be designed and cared for. Drawing upon fieldwork, mapping, drone imagery, and interviews, this publication curates 27 global design case studies within the vulnerable and dynamic wildland-urban interface and its adjacent wildlands. The book catalogs these examples into three approaches: those that resist the creative and transformative power of fire and forces of landscape change, those that embrace and utilize those forces, and those that intentionally try to retreat and minimize human intervention in fire-prone landscapes. Rather than serving as a book of neatly packaged solutions, it is a book of techniques to be considered, tested, and evaluated in a time of fire.

Voice Machines
  • Language: en
  • Pages: 429

Voice Machines

"The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"--

Music and the Queer Body in English Literature at the Fin de Siècle
  • Language: en
  • Pages: 297

Music and the Queer Body in English Literature at the Fin de Siècle

The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature.

The Virgin of the Seven Daggers
  • Language: en
  • Pages: 401

The Virgin of the Seven Daggers

I entered the church...It struck me suddenly that all this crowd of men and women standing all round, these priests chanting and moving about the altar, were dead... Vernon Lee was a polymath whose copious writings include deeply learned studies of art, music, literature, and history, but also a small but exquisitely crafted group of Gothic tales, most of which first appeared in fin de siècle periodicals including the iconic Yellow Book. In these stories of obsession and possession, transgressive desire reaches out from the past — through a haunting portrait, a murdered poet's lock of hair, the uncanny voice of a diabolical castrato — dragging Lee's protagonists to their doom. Among tho...

The Greatest Beach
  • Language: en
  • Pages: 320

The Greatest Beach

In the mid-nineteenth century, Thoreau recognized the importance of preserving the complex and fragile landscape of Cape Cod, with its weathered windmills, expansive beaches, dunes, wetlands, harbors, and the lives that flourished here, supported by the maritime industries and saltworks. One hundred years later, the National Park Service—working with a group of concerned locals, then-senator John F. Kennedy, and other supporters—took on the challenge of meeting the needs of a burgeoning public in this region of unique natural beauty and cultural heritage. To those who were settled in the remote wilds of the Cape, the impending development was threatening, and as the award-winning histori...