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Scotland is a nation of dramatic weather and breathtaking landscapes – of nature resplendent. And, over the centuries, the people who have lived, explored and thrived in this country have developed a rich language to describe their surroundings: a uniquely Scottish lexicon shaped by the very environment itself. A Scots Dictionary of Nature brings together – for the first time – the deeply expressive vocabulary customarily used to describe land, wood, weather, birds, water and walking in Scotland. Artist Amanda Thomson collates and celebrates these traditional Scots words, which reveal ways of seeing and being in the world that are in danger of disappearing forever. What emerges is a vivid evocation of the nature and people of Scotland, past and present; of lives lived between the mountains and the sky.
LONGLISTED FOR THE HIGHLAND BOOK PRIZE 2022Reflecting on family, identity and nature, belonging is a personal memoir about what it is to have and make a home. It is a love letter to nature, especially the northern landscapes of Scotland and the Scots pinewoods of Abernethy.Beautifully written and featuring Amanda Thomson's artwork and photography throughout, it creatively explores how place, language and family shape us and make us who we are. It is a book about how we are held in thrall to elements of our past, it speaks to the importance of attention and reflection, and will encourage us all to look and observe and ask questions of ourselves.
'Luminous' The Times 'Beautiful’ Caught by the River Bringing together contemporary Scottish writing on nature and landscape, this inspiring collection takes us from walking to wild swimming, from red deer to pigeons and wasps, from remote islands to back gardens, through prose, poetry and photography. Edited and introduced by Kathleen Jamie, and with contributions from Amy Liptrot, Jim Crumley, Chitra Ramaswamy, Malachy Tallack, Amanda Thomson and many more, Antlers of Water urges us to renegotiate our relationship with the more-than-human world, in writing which is by turns celebratory, radical and political.
SHORTLISTED FOR THE WAINWRIGHT PRIZE FOR NATURE WRITING 2023 LONGLISTED FOR THE KAVYA PRIZE 2024 LONGLISTED FOR THE HIGHLAND BOOK PRIZE 2022 Reflecting on family, identity and nature, belonging is a personal memoir about what it is to have and make a home. It is a love letter to nature, especially the northern landscapes of Scotland and the Scots pinewoods of Abernethy. Beautifully written and featuring Amanda Thomson's artwork and photography throughout, it explores how place, language and family shape us and make us who we are. It is a book about how we are held in thrall to elements of our past. It speaks to the importance of attention and reflection, and will encourage us all to look and observe and ask questions of ourselves.
microbursts is a collection of hybrid, lyric essays about the places between life and death; memoir and poetry; making and letting go. Originally written by Reeder as an intense text-based collection of lyric and experimental essays responding to the illnesses and deaths of her parents, it confronts the raw emotions of crisis, grief and creativity. Through collaboration with Thomson, the project expanded to consider how design and visual intervention might alter the nature and impact of the text. The outcome is a book which explores the subjects of illness, crisis, creativity, caring, death and grief, alongside the aesthetic and formal concerns of cross-genre writing, including how image, fo...
Performing care explores the relation between socially-engaged performance and care and care ethics. It questions how performance might be understood as caring or uncaring and how care might be viewed as an embodied or aesthetic practice --arguing for more careful art and artful care.
Scotland is a nation of dramatic weather and breathtaking landscapes – of nature resplendent. And, over the centuries, the people who have lived, explored and thrived in this country have developed a rich language to describe their surroundings: a uniquely Scottish lexicon shaped by the very environment itself. A Scots Dictionary of Nature brings together – for the first time – the deeply expressive vocabulary customarily used to describe land, wood, weather, birds, water and walking in Scotland. Artist Amanda Thomson collates and celebrates these traditional Scots words, which reveal ways of seeing and being in the world that are in danger of disappearing forever. What emerges is a vivid evocation of the nature and people of Scotland, past and present; of lives lived between the mountains and the sky.
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.
"INFORMATIVE AND ORIGINAL" Guardian, 'This month's best paperbacks' We've become used to thinking of plants as things for us to use: as food, tools, resources, or just as an attractive background to our own lives. But it's time to change our minds. New research shows that plants can think, plan - and may even have memories. We share our planet with beings whose potential we have only glimpsed. Featuring the writing of Robin Wall Kimmerer, Susie Orbach and Merlin Sheldrake, This Book is a Plant will be your handbook to the new reality: showing you a pathway to completely reimagine your relationship with a different kind of natural world. Delve into a world of moss and fungi: Sheila Watt-Cloutier transports us to the Arctic spring, Rowan Hisayo Buchanan discovers the pleasures of painting trees, and Rebecca Tamás puts roots down through earth and soil. This Book is a Plant is made from paper: it was once part of a tree. But it's also a seed: the first shoots of a radical new way of seeing the world around you. "AN ECLECTIC ANTHOLOGY GUARANTEED TO MAKE THE HEARTS OF EARTH LOVERS BEAT FASTER" Metro
'A generous book, offering the small stories - of childhood, family, place, of growth and falling away and regrowth - that enable the big connections with the flow of the world.' - Mark Goldthorpe, Climate Cultures 'A meander through the seasons that is filled with lyrical gifts and new ways of seeing the world. This is new nature writing - as diverse, original and ceaselessly surprising as the wild world it celebrates.' Patrick Barkham, Natural History correspondent for The Guardian and author of Islander, Badgerlands, The Butterfly Isles and Wild Child: Coming Home to Nature. 'A wonderfully diverse collection of poetry and long-form prose, celebrating the four seasons of the year in a fres...