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Sudha Gupta has a flair for solving problems. Armed with sharp eyes and a keen mind, she works as a private detective in Mumbai, assisting the police in finding three missing girls, investigating a potential bridegroom, and helping an old woman in distress.
The professionals meet the amateurs in this first–ever anthology of Indian detective fiction. Volume 1 An elite squad detective from the future travels back in time to hunt down a time escapee. Across the city of Tokyo, liquids are turning blue, and elsewhere a Tamil actress is kidnapped. The gruesome murder of an adult industry star spirals into a web of deceit and leads to a bizarre revelation. A journalist races against time to find the missing link between the deaths of a daily soap actress, a classical vocalist and a famous painter. And more... Volume 2 A detective delves into a cold case; a ship that disappeared in the Bay of Bengal in the year 1913. A man is bludgeoned to death in a...
An elite squad detective from the future travels back in time to hunt down a time escapee. Across the city of Tokyo, liquids are turning blue, and elsewhere a Tamil actress is kidnapped. The gruesome murder of an adult industry star spirals into a web of deceit and leads to a bizarre revelation. A journalist races against time to find the missing link between the deaths of a daily soap actress, a classical vocalist and a famous painter. And more... The first-ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits spread across two volumes. Hybrid, self-reflexive and experimental forms of writing that blur the boundaries between genres, with supernatural mysteries, serial murders and at times absurd crimes jostling for the attention of both amateur and professional detectives in these stories. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long-haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction!
If there was anything our neighbours envied us, it was our thinnais. The working-class district of Kurusukuppam is not the Pondicherry of tourist brochures. Here, residents are a bewildering mix of Creoles, colonial war veterans, proud communists and French citizens who have never left India's shores. It is a place of everyday tragedies, melodramatic occurrences and stubborn, absurd hope. But life in Kurusukuppam is upturned by the arrival of a curious tramp, Gilbert Thaata, a wizened Frenchman who has clearly seen hard times. Settling down on the narrator's verandah, his thinnai, Gilbert Thaata begins to earn his keep by recounting the tale of the rise and fall of his family's fortunes as t...
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This charming collection of poems and stories is sure to delight readers of all ages. With its vivid imagery, lively language, and timeless themes, Another Garland is a true masterpiece of Indian literature. Don't miss out on this unforgettable reading experience. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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"A history of the entwinement of everyday police and caste authority in the colonial and postcolonial Tamil countryside in twentieth-century south India"--
The essays in this collection explore ideas about women and their positions in Indian society from the earliest history to the present day. It is designed to provide primary material from literary, historical and sociological sources and to guide critical exploration of specific issues.
This book documents the history of Tamil cinema, one of the most colossal film industries in the world, and studies the major studios of Madras, the largest outside classical Hollywood in the private sector. It engages with five major studios of Madras—Modern Theatres, AVM, Gemini, Vijaya-Vauhini, and Prasad— through the origins of their founders, and explicates how their history influenced the narratives, genre, and ideology of the canonical films made in Madras studios, arguing for their lasting influence on Tamil cinema. Based on rare primary and secondary materials, and oral history, this book engages with Tamil cinema at the intersection of its industrial, cultural, and socio-political history to argue for its specificity in terms of its aesthetics and its belief in the potential of the medium to mobilize audiences for ideology, politics, and reflexivity.