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Ambiguity in Psycholinguistics
The authors present a comprehensive overview of past research in ambiguity in the field of psycholinguistics. Experimental results have often been equivocal in allowing a choice between the single-reading hypothesis and the multiple-reading hypothesis of processing of ambiguous sentences. This text reviews the arguments and experimental results in support of each of these views, and further investigates the contributions of context and thematic constraints in the process of ambiguity resolution. Commentary is also made on the possible hierarchical ordering of difficulty in the treatment of ambiguity, as well as critically related considerations like bias, individual differences, general cognitive strategies for dealing with multiphase representations, and the inherent differences between lexical and syntactic ambiguity.
Seven Types Of Ambiguity
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A History of Ambiguity
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers ...
Resolving Semantic Ambiguity
Resolving Semantic Ambiguity arrrays the work of leading theorists on the issues surrounding the meaning and interpretation of ambiguous text. The chapters are organized around three major themes: (1) retrieval, (2) representation of words, and (3) text as a context. The book offers a number of new challenges to the role of context in language processing, some striking new evidence on the repetition of homographs in different contexts, and new approaches to resolution capable of being incorporated into either modular or network models. In several papers the problem of ambiguity is extended to include the problem of weak ambiguity and understanding text themes. The book provides a unique starting point for researchers approaching the problems of meaning in cognitive science, psychology, and computational linguistics.
Ambiguity
This edited volume investigates the concept of ambiguity and how it manifests itself in language and communication from a new perspective. The main goal is to uncover a great mystery: why can we communicate effectively despite the fact that ambiguity is pervasive in the language that we use? And conversely, how do speakers and hearers use ambiguity and vagueness to achieve a specific goal? Comprehensive answers to these questions are provided from different fields which focus on the study of language, in particular, linguistics, literary criticism, rhetoric, psycholinguistics, theology, media studies and law. By bringing together these different disciplines, the book documents a radical chan...
Managing Ambiguity
Why do people turn to personal connections to get things done? Exploring the role of favors in social welfare systems in postwar, postsocialist Bosnia and Herzegovina, this volume provides a new theoretical angle on links between ambiguity and power. It demonstrates that favors were not an instrumental tactic of survival, nor a way to reproduce oneself as a moral person. Instead, favors enabled the insertion of personal compassion into the heart of the organization of welfare. Managing Ambiguity follows how neoliberal insistence on local community, flexibility, and self-responsibility was translated into clientelist modes of relating and back, and how this fostered a specific mode of power.
For Moral Ambiguity
Under the banner of family values, a war of more than words is being waged. At stake is the control of contemporary national culture-and the consciousness of succeeding generations. Michael J. Shapiro enters the fray with this galvanizing book, which exposes the assumptions, misconceptions, and historical inaccuracies that mark the neoconservative campaign to redeem an imagined past and colonize the present and future with a moral and political commitment to the "traditional family." Challenging the neoconservative assumption of a natural relation between a historically constant, traditional family structure and civic life, Shapiro shows how the situation of the family in relation to public ...
For Want of Ambiguity
Nominated for the 2019 Gradiva® Award for Best Book by the National Association for the Advancement of Psychoanalysis (NAAP) For Want of Ambiguity investigates how the dialogue between psychoanalysis and neuroscience can shed light on the transformational capacity of contemporary art. Through neuroscienfitic and psychoanalytic exploration of the work of Diamante Faraldo, Ai Weiwei, Ida Barbarigo, Xavier Le Roy, Bill T. Jones, Cindy Sherman, Francis Bacon, Agnes Martin, and others, For Want of Ambiguity offers a new perspective on how insight is achieved and on how art opens us up to new ways of being.
Living with Ambiguity
How a religion based on the sacredness of nature deals with the problem of evil.
Ambiguity in Charlotte Brontë's Villette
Charlotte Brontë's final novel Villette (1853) is associated with ambiguity because of its open ending: Does M. Paul return to narrator-protagonist Lucy Snowe or is he killed in a storm raging on the Atlantic? Taking its famous ending as a starting point, this study explores Villette as a text in which ambiguity is all-pervasive in various ways. Among these is the narrator's ambivalent attitude toward herself and others, epitomised in her stylistic idiosyncrasies. The links between ambiguity and doubt are explored through an analysis of Lucy's signature phrase, "I know not," expressive of her existential doubts and questioning attitude toward the world. The analysis moreover focuses on the motif of the oracle as a traditionally ambiguous utterance, and explores its relevance in the context of the generic tradition of Villette as a fictional autobiography. Another focus is the interplay of figurative and literal levels of meaning in the allegorical episodes, creating ambiguity.
