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This companion provides a definitive and cutting-edge guide to the study of imaginary and virtual worlds across a range of media, including literature, television, film, and games. From the Star Trek universe, Thomas More’s classic Utopia, and J. R. R. Tolkien’s Arda, to elaborate, user-created game worlds like Minecraft, contributors present interdisciplinary perspectives on authorship, world structure/design, and narrative. The Routledge Companion to Imaginary Worlds offers new approaches to imaginary worlds as an art form and cultural phenomenon, explorations of the technical and creative dimensions of world-building, and studies of specific worlds and worldbuilders.
Taking us through the seasons in England's apple-growing heartlands, this magical book uncovers the stories and folklore of our most familiar fruit. 'An orchard is not a field. It's not a forest or a copse. It couldn't occur naturally; it's definitely cultivated. But an orchard doesn't override the natural order: it enhances it, dresses it up. It demonstrates that man and nature together can - just occasionally - create something more beautiful and (literally) more fruitful than either could alone. The vivid brightness of the laden trees, studded with jewels, stirs some deep race memory and makes the heart leap. Here is bounty, and excitement.'
June Spencer may well be best known as matriarch Peggy Archer (now Woolley), of one of the UK's best known and longest running soap operas, but aged 90 now, she'd seen and done a lot before (and since) joining the Archers 60 years ago. The only original member of the cast still in The Archers, June has worked in showbusiness since the age of 12, when she wrote and produced her own stage shows for her family. She grew up to become an after-dinner entertainer, finally making her way to radio, starring in classics such as Dick Barton and Children's Hour. Born back when milk was collected in a jug from the local store, June takes us back in time as she affectionately recalls the slower pace of c...
This is a study of Greek myths in relation to the society in which they were originally told. It does not re-tell the myths; rather, it offers an analysis of how myths played a fundamental role in the lives of the Greeks. The relation between reality and fantasy is discussed by means of three case studies: the landscape, the family, and religion. Most of all, this book seeks to demonstrate how the seemingly endless variations of Greek mythology are a product of its particular people, place, and time.