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This book is a progressive work in the effort of revealing what is happening in a small part of a shared territory, where despite the government's progress in creating legal frameworks, in addition to the aid and support granted by many national and international humanitarian organizations to migrants, time seems to have grinded to a halt. The phenomenon remains persistent. The floating population increases day by day. The modalities of snaring migrants have become diversified and more aggressive; but questions arise: is there a limit to human suffering? Would you give the victims in their interrelationships, human suffering, the minimum ethical conceptualization, even when you know immorality dwells inside some of their homes? Would life still make sense to them? What happened to the individual and collective moral conscience of policymakers? This is a narrative wherein, while in principle reflects reality, the author used her knowledge of the context and extraordinary imagination to give life to an unprecedented work.
A novel of Havana. With passion and eloquence, master craftsman Abilio Estevez brings to life the mysterious, broken down city of Havana on the eve of the new millennium. Victorio, a lonely, middle-aged gay man, awakes to the news that the ancient palace where he rents a tiny apartment is scheduled to be demolished, leaving him homeless. Wandering the streets in search of a new place to call his own, he meets two unusual people who are destined to change his life: Salma, a young prostitute, and Don Fuco, an eccentric old clown who brings both of them to live in his own refuge, an abandoned theater. In a city riddled with conflict and no longer tolerant of outcasts, the pair find solace in on...
Un brindis por mi Habana se convierte más que en una búsqueda en un regresar por parte de su autor a los lugares y las personas que acompañaros al autor por este camino de los bares. También se convierte en una necesidad por otorgarle a estos espacios de divertimento su lugar de respeto dentro de la cultura cubana, debido a las contribuciones por las que su autor apuesta como definitorias dentro de nuestra identidad.
Following the disintegration of the Soviet Union, the globalization of Cuban culture, along with the bankruptcy of the state, partly modified the terms of intellectual engagement. However, no significant change took place at the political level. In Community and Culture in Post-Soviet Cuba, De Ferrari looks into the extraordinary survival of the Revolution by focusing on the personal, political and aesthetic social pacts that determined the configuration of the socialist state. Through close critical readings of a representative set of contemporary Cuban novels and works of visual art, this book argues that ethics and gender, rather than ideology, account for the intellectuals’ fidelity to the Revolution. Community and Culture does three things: it demonstrates that masculine sociality is the key to understanding the longevity of Cuba’s socialist regime; it examines the sociology of cultural administration of intellectual labor in Cuba; and it maps the emergent ethical and aesthetic paradigms that allow Cuban intellectuals to envision alternative forms of community and civil society.
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