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Landscape Is...! examines the implicit biases and received meanings of landscape. Following on from the previous publication Is Landscape...? which examined the plural and promiscuous identities of the landscape idea, this companion volume reflects upon the diverse and multiple meanings of landscape as a discipline, profession, and medium. This book is intended for academics, researchers, and students in landscape architecture and cognate disciplines. Chapters address various overlooked aspects of landscape that develop, disturb, and diversify received understandings of the field. Framed as an inquiry into the relationship of landscape to the forms of human subjectivity, the book features contributions from leading voices who challenge the contemporary understandings of the field in relation to capital and class, race and gender, power and politics, and more.
Mosaik - Konservierung - Restaurierung.
A groundbreaking ecocritical study that examines how ideas about the natural and built environment informed architectural and decorative trends of the Roman Late Republican and Early Imperial periods. Landscape emerged as a significant theme in the Roman Late Republican and Early Imperial periods. Writers described landscape in texts and treatises, its qualities were praised and sought out in everyday life, and contemporary perceptions of the natural and built environment, as well as ideas about nature and art, were intertwined with architectural and decorative trends. This illustrated volume examines how representations of real and depicted landscapes, and the merging of both in visual spac...
Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women’s leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat ...
"In Earthquakes and Gardens, professor of religion Virginia Burrus pursues an earthquake from the deep past and tracks the fallen monuments and resurgent gardens of a distant city. The starting point is Hilarion, a Christian saint who saw the recorded intensity of a mighty quake in the toppled buildings of fourth-century Cyprus. In The Life of Saint Hilarion, written in 390, we see those buildings through Saint Hilarion's eyes in just a few lines. Building out from this fragment of text and the mental images that come with it, Burrus delivers a remarkable set of meditations on the human experience of place. Earthquakes and Gardens is a methodological experiment in close and promiscuous reading, an exercise in place-centered rumination, and a powerful set of observations on destruction and resilience. The scale ranges from the deeply personal to the massive and collective. In Burrus's capable hands, earthquakes and gardens anchor us in our textual fragments while also drawing us elsewhere, opening onto more-than-human worlds that are both concrete and metaphorical, close and distant"--
In Gardens of the Roman Empire, the pioneering archaeologist Wilhelmina F. Jashemski sets out to examine the role of ancient Roman gardens in daily life throughout the empire. This study, therefore, includes for the first time, archaeological, literary, and artistic evidence about ancient Roman gardens across the entire Roman Empire from Britain to Arabia. Through well-illustrated essays by leading scholars in the field, various types of gardens are examined, from how Romans actually created their gardens to the experience of gardens as revealed in literature and art. Demonstrating the central role and value of gardens in Roman civilization, Jashemski and a distinguished, international team of contributors have created a landmark reference work that will serve as the foundation for future scholarship on this topic. An accompanying digital catalogue will be made available at: www.gardensoftheromanempire.org.
The Sourcebook for Garden Archaeology addresses the increasing need among archaeologists, curators, landscape architects and others planning to investigate relict gardens through archaeological methods. The book provides a systematic approach to the archaeology of gardens of all periods and geographical settings.
Demonstrates how food-growing gardens in early medieval cities transformed Roman ideas and economic structures into new, medieval values.
This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, w...
Gardens were both a setting and showcase for nearly every aspect of social and daily life at the royal court during the early Islamic period in Western Asia. Safa Mahmoudian uses a wide range of primary source materials including contemporary Arabic manuscripts, together with archaeological reports, aerial photographs, and archaeologists’ letters and diaries. Through close readings of this evidence, Mahmoudian creates a picture of these gardens in their historical, architectural and environmental contexts and examines various factors that influenced their design and placement. In doing so, Mahmoudian adds to our understanding of these gardens and palaces and, ultimately, early Islamic-period court culture as a whole.