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Hito Steyerl: I Will Survive
A massive, long-overdue retrospective on the multimedia image critique of Hito Steyerl, influential artist and author of Duty-Free Artand The Wretched of the Screen Over the past 30 years, through video and installation, the immensely influential German artist and writer Hito Steyerl (born 1966) has been tracking the ways that images have mutated--from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image--and the implications these mutations have had for the representation of wars, genocides and the flow of capital. "We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand," writes Brian Kuan Wood of the digital visual worlds that the artist presents. At nearly 500 pages, this book--the first substantial overview on Steyerl--looks at multimedia installations and film projects of the past ten years, as well as earlier works, all of which are united by the artist's unflagging interrogation of the politics of the image.
De best verzorgde boeken 2019
This year a total of 295 entries were assessed for their distinctive qualities by a panel of experts looking for outstanding work in areas such as content, design, picture editing, typography, choice of materials, printing, and binding. The ?Best Dutch Book Designs 2019? presents a comprehensive overview of the 33 selections made during this difficult yet rewarding process. The catalogue includes detailed information about each publication, its technical execution, and unique insights into the significant aspects that made each one a cut above the rest. 00Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (03.10.-01.11.2020).
Stedelijk Collection Highlights
Stedelijk Collection Highlights is a visually plentiful overview of the most important artists of the Stedelijk Museum The accessible publication Stedelijk Collection Highlights presents works by 150 leading Dutch and international artists and designers that are part of the renowned collection of the Stedelijk Museum Amsterdam. Stedelijk Collection Highlights complements the extensive presentation of the art and design collection with which the renovated and expanded Stedelijk Museum opened in September 2012. Stedelijk Collection Highlights features essential discussions of a selection of the most significant works in the collection of the largest museum for modern art and design in the Netherlands. This makes this guide not only a valuable supplement to a visit to the museum but also an inspiring source of information on fascinating artists for a wide and young audience. With work by Carl Andre, Eva Besnyö, Wim Crouwel, Rineke Dijkstra, Marlene Dumas, Mike Kelley, Willem de Kooning, Kazimir Malevich, Aernout Mik, Piet Mondrian, Gerrit Rietveld and many others.
Gogh Modern
The paintings of Vincent van Gogh remain as relevant as ever, exerting an ever-profound influence on generations of artists. Gogh Modern attempts to explain this influence through example, presenting an overview of major postwar artists whose work displays a strong relationship with van Gogh or whose work it would be hard to imagine without the existence of van Gogh. Thus in the paintings of Georg Baselitz, Willem de Kooning and Anselm Kiefer we can clearly recognize the methodologies and expressiveness of van Gogh. Uncompromising artists such as Arnulf Rainer and Bruce Nauman have, like van Gogh, steered art in a new direction. Arranged thematically, Gogh Modern offers plenty of opportunity to compare and contrast van Gogh and his modern-day colleagues, putting notions of tradition versus innovation, influence and inspiration in an entirely new perspective.
Robert Barry
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Exhibiting the New Art
The 'new art' of the late 1960s was shown in two landmark exhibitions in 1969: Op Losse Schroeven and When Attitudes Become Form. This book reveals how each brought together Arte Povera, Anti-Form, Conceptual and Land art, whilst challenging such categories and introducing innovative curatorial approaches. Christian Rattemeyer offers a rich comparative analysis of the two exhibitions, exploring the related but differing approaches of the two curators – Wim Beeren and Harald Szeemann – in two distinct institutional settings: the Stedelijk Museum in Amsterdam and the Kunsthalle Bern. Numerous installation photographs enable a virtual 'walk through' of each exhibition, while meticulous chronologies detail the negotiations that shaped them. Crucial texts from the time are complemented by new research and fascinating recent interviews with participating artists. Included are interviews with Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi and Richard Serra. This book is Volume 1 in the Exhibition Histories series, which investigates shows that have shaped the way contemporary art is experienced, made and discussed.
100 X Photo
The Stedelijk Museum's photography collection is the oldest of its kind in a European museum for modern art. This catalogue presents a selection of 100 photographs from approximately 4,000 in the Museum's holdings. Drawing on famous masterpieces and lesser known images, this selection gives an impression of the quality of the collection and of the versatility of photography's potential for expression over the past century, from Eugene Atget to Andreas Gurski and from Lewis Hine to Nan Goldin.
