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This book presents a broad survey of the Dutch reception of the work of William Butler Yeats during his lifetime. Yeats' important, wide-ranging oeuvre marks the transition from the nineteenth to the twentieth century. The response to his poetry, drama and prose exemplifies the Dutch reception of English romanticism as well as modernism, and reveals the workings of canon formation. The author has investigated the early days of Dutch Anglistics, showing that teachers of English were of little influence in the Yeats reception. Instead, the Dutch sympathy for the Irish cause and a taste for romantic literature prove to be essential factors in arousing enthusiasm for his early writings. Apart from the well-publicised performances of The Only Jealousy of Emer, Yeats' modern work was given little attention. Although poets like A. Roland Holst, P.N. van Eyck and J.C. Bloem were very well acquainted with Yeats' oeuvre and accumulated impressive collections, reading modern Yeats largely remained a private affair.
In the Introduction, a brief general review is given of the present knowledge and ideas about the Hunebed Builders, who lived some 5000 years ago during the Stone Age.
What explains the rapid growth of state power in early modern Europe? While most scholars have pointed to the impact of military or capitalist revolutions, Philip S. Gorski argues instead for the importance of a disciplinary revolution unleashed by the Reformation. By refining and diffusing a variety of disciplinary techniques and strategies, such as communal surveillance, control through incarceration, and bureaucratic office-holding, Calvin and his followers created an infrastructure of religious governance and social control that served as a model for the rest of Europe—and the world.
State Communication and Public Politics in the Dutch Golden Age describes the political communication practices of the authorities in the early modern Netherlands. Der Weduwen provides an in-depth study of early modern state communication: the manner in which government sought to inform its citizens, publicise its laws, and engage publicly in quarrels with political opponents. These communication strategies, including proclamations, the use of town criers, and the printing and affixing of hundreds of thousands of edicts, underpinned the political stability of the seventeenth-century Dutch Republic. Based on systematic research in thirty-two Dutch archives, this book demonstrates for the first time how the wealthiest, most literate, and most politically participatory state of early modern Europe was shaped by the communication of political information. It makes a decisive case for the importance of communication to the relationship between rulers and ruled, and the extent to which early modern authorities relied on the active consent of their subjects to legitimise their government.
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.
Minister of the Word, shepherd and teacher the titles of Dutch pastors exude authority and prestige. In the course of the nineteenth century, however, their social position was slowly undermined by the separation of church and state, the emancipation of Catholics and dissenters, and the rise of all sorts of secular shepherds and teachers. This work of historical sociology analyzes the development of the profession of pastor in the Netherlands Reformed Church, focusing on pastors changing relationships with the state, the universities, other professions, and their own congregants. It paints a surprising, lively, and often humorous picture of nineteenth-century ecclesiastical and religious life, and of the many areas of Dutch society and culture where pastors made their mark in particular, the literary world.
The first book to offer a complete story of the extraordinary proliferation of Dutch clandestine literature under the Nazi occupation. Clandestine literature was published in all countries under Nazi occupation, but nowhere else did it flourish as it did in the Netherlands. This raises important questions: What was the content of this literature? What were the risks of writing, printing, selling, and buying it? And why the Netherlands? Traditionally, the combative Dutch "spirit of resistance" has been cited, a reaction not only to German oppression but to German propaganda: while the Germans hoped to build bonds with their "Germanic" Dutch "brothers," clandestine literature insisted on their...
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This book is about an art in which the Netherlands excels: strategic planning. Foreign observers will need little convincing of the merits of Dutch planning. They will want to know whether routine explanations (small country, industrious, disciplined people hardened by the perennial fight against the sea) hold any water, and they will want to know where to look for the bag of tricks of Dutch planners. Dutch readers need to be convinced first that planning in the Netherlands is indeed effective before contemplating how this has come about. Our message for both is that, to the extent that Dutch planners do live in what others are inclined to see as a planners' paradise, it is a paradise carefu...