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American Drawings and Watercolors in the Metropolitan Museum of Art
  • Language: en
  • Pages: 426

American Drawings and Watercolors in the Metropolitan Museum of Art

"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.

Catalog of Copyright Entries. Third Series
  • Language: en
  • Pages: 1506

Catalog of Copyright Entries. Third Series

Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals

Wace, The Hagiographical Works
  • Language: en
  • Pages: 406

Wace, The Hagiographical Works

  • Type: Book
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  • Published: 2013-06-06
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  • Publisher: BRILL

Best known for his two chronicles, the Roman de Brut and the Roman de Rou, Wace, one of the great pioneers of twelfth-century French writing, is also the author of three hagiographical works: the Conception Nostre Dame and the Lives of St Margaret and St Nicholas. The Conception is the first vernacular work to focus on the life of the Virgin Mary. Emphasising Margaret's concern for women in labour, the Margaret seemingly contributed to the saint's broad popularity. The Nicholas, with its many miracles involving children, equally played a key role in popularising its protagonist's cult. The present volume brings these works together for the first time and provides the original texts, the first translations into English, notes and substantial introductions.

Translating
  • Language: en
  • Pages: 312

Translating "Clergie"

In Translating "Clergie," Claire M. Waters explores medieval texts in French verse and prose from England and the Continent that perform and represent the process of teaching as a shared lay and clerical endeavor.

English Birth Girdles
  • Language: en
  • Pages: 556

English Birth Girdles

In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the "girdle relics" of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print.

The Papers of Thomas Jefferson, Retirement Series, Volume 20
  • Language: en
  • Pages: 772

The Papers of Thomas Jefferson, Retirement Series, Volume 20

A definitive new volume of the retirement papers of Thomas Jefferson During the period covered by the 575 documents in this volume, Jefferson advises President James Monroe on what later becomes known as the “Monroe Doctrine.” He also approves of the Greek independence movement in correspondence with the scholar and political leader Adamantios Coray. Jefferson says that the “most dangerous blot” on the U.S. Constitution is the provision under which a vote by the states in the House of Representatives decides elections not settled by the Electoral College. With his allies in Virginia’s General Assembly, he succeeds in converting the University of Virginia’s loans from the state Li...

The Papers of Thomas Jefferson: 16 November 1809 to 11 August 1810
  • Language: en
  • Pages: 781

The Papers of Thomas Jefferson: 16 November 1809 to 11 August 1810

The definitive edition of Thomas Jefferson's papers from the end of his presidency until his death continues with Volume Two, which covers the period from 16 November 1809 to 11 August 1810. Both incoming and outgoing letters are included, totaling 518 documents printed in full. General themes include Jefferson's financial troubles, which eventually led him to loan himself a large sum of money he was managing for Tadeusz Kosciuszko; his preparations to face a lawsuit stemming from his decision as president to remove Edward Livingston from a valuable property in New Orleans; other legal complications involving his landholdings and the settlement of estates he had inherited long before; his pl...

Controlling Readers
  • Language: en
  • Pages: 349

Controlling Readers

Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular, his longest and most important work, the Voir dit, calls attention to the coexistence of public and private reading practices through its intensely hybrid form: sixty-three poems and ten songs invite an oral performance, while forty-six private prose letters as well as elaborate illustration and references to it's own materiality promote a physical encounter with the book. In Controlling Readers, Deborah McGrady uses Machaut's corpus as a case s...

Art Crossing Borders
  • Language: en
  • Pages: 367

Art Crossing Borders

  • Type: Book
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  • Published: 2019-02-11
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  • Publisher: BRILL

Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.